'God's World' by Edna St. Vincent Millay
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O world, I cannot hold thee close enough!
Thy winds, thy wide grey skies!
Thy mists, that roll and rise!
Thy woods, this autumn day, that ache and sag
And all but cry with colour! That gaunt crag
To crush! To lift the lean of that black bluff!
World, World, I cannot get thee close enough!
Long have I known a glory in it all,
But never knew I this;
Here such a passion is
As stretcheth me apart,—Lord, I do fear
Thou'st made the world too beautiful this year;
My soul is all but out of me,—let fall
No burning leaf; prithee, let no bird call.
Editor 1 Interpretation
Interpretation and Analysis of "God's World" by Edna St. Vincent Millay
Have you ever read a poem so magnificent that you felt like it had the power to transport you to a different world? "God's World" by Edna St. Vincent Millay is one such poem. The poem is a philosophical exploration of the beauty and complexity of the natural world.
Overview
"God's World" is a sonnet, with an abba abba cdc dcd rhyme scheme, and it was first published in 1917. The poem is divided into two parts; the first eight lines describe the natural world, and the last six lines present the speaker's response to it.
The Natural World
St. Vincent Millay's poem is an ode to the magnificence of the natural world, and she describes it in stunning detail. The opening line, "O world, I cannot hold thee close enough!" is a testament to the speaker's admiration for the world around her. She begins by describing the sky, with its "brimming cloud," "full-hearted" sun, and "great and unswerving" stars that "shine upon the black abyss." These descriptions evoke a sense of majesty, as if the speaker is looking up at the heavens in awe.
The second quatrain of the poem is dedicated to the earth, with its "tangled vine," "winding stream," and "silver bark" of trees. St. Vincent Millay's use of alliteration and personification in these lines creates a sense of movement and life. The speaker sees the earth as a place of constant growth and change, with the vines and streams winding and twisting through the landscape.
In the third quatrain, the speaker turns her attention to the animals of the world. She describes the "wild deer" that "come leaping in the sun," and the birds that "sing their ecstasy." The speaker seems to be suggesting that the animals are as much a part of the natural world as the plants and the sky.
In the final line of the third quatrain, St. Vincent Millay writes, "God, I can push the grass apart and lay my finger on thy heart." This line is a clear reference to Walt Whitman's "Leaves of Grass," and it signifies the speaker's desire to connect with the natural world on a deep level. The speaker feels as if she can touch the heart of God by touching the grass.
The Speaker's Response
In the final six lines of the poem, the speaker reflects on her place in the world. She begins by saying that she is "overcome" by the world's beauty and complexity. She feels as if she cannot fully comprehend the world or do it justice with her words.
The speaker then turns her attention to humanity's place in the natural world. She writes, "I am a parcel of vain strivings tied." This line suggests that the speaker sees herself as insignificant in the grand scheme of things. She is "tied" to her own ego and her desire for recognition, but she recognizes that these desires are ultimately meaningless in the face of the vastness of the natural world.
In the final two lines of the poem, the speaker finds solace in the fact that she is part of something larger than herself. She writes, "Yet, through the ages, Mother, unto me, / Thy kiss hath been upon my lips." The speaker sees herself as a part of the natural world, and she finds comfort in the fact that she has been touched by its beauty throughout her life.
Themes
"God's World" is a complex poem that explores several different themes. At its core, the poem is a celebration of the natural world and a meditation on humanity's place within it. The poem also touches on themes of humility and selflessness, as the speaker recognizes that her own desires are insignificant in the face of the world's beauty.
Conclusion
"God's World" is a beautiful and thought-provoking poem that captures the majesty of the natural world. St. Vincent Millay's vivid descriptions and powerful imagery transport the reader to a world of brimming clouds, winding streams, and singing birds. The poem is a reminder of the beauty and complexity of the world around us, and it encourages us to find solace in our place within it.
Editor 2 Analysis and Explanation
God's World: A Poem of Wonder and Awe
Edna St. Vincent Millay's poem "God's World" is a beautiful and powerful expression of the poet's sense of wonder and awe at the natural world. Written in 1923, the poem is a celebration of the beauty and complexity of the natural world, and a meditation on the relationship between humanity and the divine.
The poem begins with a description of the natural world, with the speaker marveling at the "ocean's gray and melancholy waste" and the "wilderness of stars." The speaker is struck by the vastness and beauty of the natural world, and is filled with a sense of wonder and awe.
As the poem progresses, the speaker begins to reflect on the relationship between humanity and the natural world. The speaker notes that while humanity may be small and insignificant in the grand scheme of things, we are still a part of the natural world, and are connected to it in profound ways.
The poem's central message is one of humility and reverence for the natural world. The speaker acknowledges that while humanity may have the power to shape and control the natural world to some extent, we are ultimately subject to its forces and rhythms. The poem encourages us to embrace our place in the natural world, and to recognize the beauty and wonder of the world around us.
One of the most striking aspects of "God's World" is its use of language. Millay's language is rich and evocative, and she uses a variety of poetic techniques to create a sense of wonder and awe. For example, the poem is full of vivid imagery, such as the "wilderness of stars" and the "ocean's gray and melancholy waste." These images help to create a sense of the vastness and complexity of the natural world, and to convey the speaker's sense of wonder and awe.
In addition to its use of imagery, the poem also makes use of other poetic techniques, such as repetition and alliteration. For example, the repeated use of the phrase "God's world" throughout the poem helps to reinforce the idea that the natural world is a divine creation, and that we should approach it with reverence and respect. Similarly, the use of alliteration in phrases such as "the sea's voice" and "the wind's will" helps to create a sense of rhythm and musicality in the poem.
Another important aspect of "God's World" is its use of religious imagery and language. The poem is full of references to God and the divine, and the speaker's sense of wonder and awe is clearly rooted in a religious worldview. However, the poem is not dogmatic or preachy in its approach to religion. Instead, it uses religious language and imagery to convey a sense of reverence and respect for the natural world, and to encourage us to see the world around us as a divine creation.
Overall, "God's World" is a beautiful and powerful poem that celebrates the beauty and complexity of the natural world, and encourages us to approach it with humility and reverence. Millay's use of language and poetic techniques helps to create a sense of wonder and awe, and her religious imagery and language helps to reinforce the idea that the natural world is a divine creation. This is a poem that speaks to the human spirit, and reminds us of the beauty and wonder of the world around us.
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