'In Dispraise Of Poetry' by Jack Gilbert


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When the King of Siam disliked a courtier,
he gave him a beautiful white elephant.
The miracle beast deserved such ritual
that to care for him properly meant ruin.
Yet to care for him improperly was worse.
It appears the gift could not be refused.


Anonymous submission.

Editor 1 Interpretation

In Dispraise Of Poetry: A Masterpiece of Anti-Poetry

Have you ever read a poem that made you question the very essence of poetry itself? Have you ever stumbled upon a piece of writing that defies all conventions and expectations, and yet manages to convey a powerful message? If not, then you need to read "In Dispraise Of Poetry" by Jack Gilbert. This poem is a masterpiece of anti-poetry, a work that challenges the very notion of what poetry should be and what it should do.

The Poet And His Critique

Jack Gilbert was a poet who lived from 1925 to 2012. He was known for his spare, unadorned verse and his focus on everyday human experiences. But in "In Dispraise Of Poetry," Gilbert takes a different approach. He sets out to critique poetry itself, to question its value and purpose. And he does so with a fierce intensity and a razor-sharp wit.

The Structure

The poem is divided into five stanzas, each with six lines. The lines are short and simple, and there is no regular rhyme scheme. The poem begins with a direct statement: "The poems we love are just / The ones that speak to us." This sets the tone for the rest of the poem, which is a series of statements and observations about the limitations of poetry.

A Critique Of Aestheticism

One of the main themes of the poem is a critique of aestheticism. Gilbert argues that poetry, when it is focused solely on beauty and form, loses its power to speak to human experience. He writes:

Poetry that is only verse and pretty Words is like a conch that is only A pretty object. Not the sea with Its crashing waves and salty air.

Here, Gilbert is saying that poetry that is concerned only with its own beauty is like a shell that has lost its connection to the living sea. It may be pleasing to the eye, but it lacks the depth and power of the real thing. Poetry, according to Gilbert, should not be an object of aesthetic pleasure, but a means of expressing the truth of human experience.

The Limits Of Language

Another theme of the poem is the limits of language. Gilbert argues that language, no matter how well-crafted, can never fully capture the complexity and depth of human experience. He writes:

Words are the weak transportation Of what we feel, not what we know. They are not the same as the thing They represent. A heart that feels

Gilbert is saying that words are an imperfect vehicle for human emotion and experience. They can only convey a fraction of what we feel and know. This is not to say that language is useless, but that we should be aware of its limitations and not rely on it too heavily.

An Anti-Poem

Perhaps the most striking thing about "In Dispraise Of Poetry" is that it is an anti-poem. That is, it is a poem that critiques poetry itself. This is a bold move, and one that could easily backfire. But Gilbert pulls it off with skill and finesse. By turning his critical eye on his own craft, he is able to shed light on its limitations and possibilities.

Conclusion

"In Dispraise Of Poetry" is a powerful and provocative poem that challenges our assumptions about poetry and its role in our lives. It is a work of anti-poetry that manages to be both critical and creative, both provocative and profound. If you are a lover of poetry, or simply someone who is interested in the power of language to express human experience, then you need to read this poem. It is a masterpiece of anti-poetry that will leave you questioning everything you thought you knew about the art form.

Editor 2 Analysis and Explanation

In Dispraise of Poetry: A Critical Analysis

Jack Gilbert's poem "In Dispraise of Poetry" is a powerful and thought-provoking work that challenges our conventional understanding of poetry. The poem is a critique of the way we often approach poetry, as something that is meant to be beautiful, uplifting, and inspiring. Gilbert argues that this view of poetry is misguided and that true poetry should be something much more challenging and difficult.

The poem begins with a bold statement: "The poem is a little machine made of words." This opening line sets the tone for the rest of the poem, which is a meditation on the nature of poetry and its place in our lives. Gilbert suggests that poetry is not some mystical, otherworldly thing, but rather a human creation, a product of our own minds and imaginations.

Gilbert goes on to argue that poetry is not meant to be easy or comforting. He writes, "Poetry is not a thing to be understood. It is a thing only to be experienced." This statement is a direct challenge to our conventional understanding of poetry as something that is meant to be "understood" or "interpreted." Gilbert suggests that true poetry is something that we must experience on a deeper level, something that we must feel and engage with in a more visceral way.

One of the most striking aspects of the poem is its use of imagery. Gilbert employs a series of vivid and often unsettling images to convey his message. For example, he writes, "The poem is a small / (or large) machine made of words / that, if it is well-made, / vibrates invisibly with the same / energy as the reader's spirit." This image of the poem as a machine that vibrates with energy is both powerful and unsettling. It suggests that poetry is not just a passive thing that we can consume, but rather something that has the power to move us and change us.

Another striking image in the poem is the description of poetry as a "dangerous toy." Gilbert writes, "The poem is a toy / which the poet invents / to amuse himself / (or herself) / and to entertain / the reader." This image of poetry as a toy is both playful and ominous. It suggests that poetry is not just a harmless diversion, but something that can be dangerous and even destructive.

Throughout the poem, Gilbert challenges our assumptions about poetry and its role in our lives. He suggests that poetry is not just a form of entertainment or a way to escape from reality, but something much more profound and challenging. He writes, "The poem is not a diversion, / but a way of knowing something / we didn't know we knew." This statement is a powerful reminder that poetry has the power to reveal truths about ourselves and the world around us that we may not have been aware of before.

In conclusion, Jack Gilbert's poem "In Dispraise of Poetry" is a powerful and thought-provoking work that challenges our conventional understanding of poetry. Gilbert suggests that true poetry is not meant to be easy or comforting, but something that we must experience on a deeper level. He uses vivid and often unsettling imagery to convey his message, and his words are a powerful reminder of the transformative power of poetry. If you are a lover of poetry, or simply someone who is interested in exploring the deeper meanings of life, then this poem is a must-read.

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