'Invitation To Miss Marianne Moore' by Elizabeth Bishop
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From Brooklyn, over the Brooklyn Bridge, on this fine morning,please come flying.
In a cloud of fiery pale chemicals,please come flying,
to the rapid rolling of thousands of small blue drums
descending out of the mackerel sky
over the glittering grandstand of harbor-water,please come flying.Whistles, pennants and smoke are blowing.The ships
are signaling cordially with multitudes of flags
rising and falling like birds all over the harbor.
Enter: two rivers, gracefully bearing
countless little pellucid jellies
in cut-glass epergnes dragging with silver chains.
The flight is safe; the weather is all arranged.
The waves are running in verses this fine morning.Please come flying.Come with the pointed toe of each black shoe
trailing a sapphire highlight,
with a black capeful of butterfly wings and bon-mots,
with heaven knows how many angels all riding
on the broad black brim of your hat,please come flying.Bearing a musical inaudible abacus,
a slight censorious frown, and blue ribbons,please come flying.
Facts and skyscrapers glint in the tide; Manhattan
is all awash with morals this fine morning,so please come flying.Mounting the sky with natural heroism,
above the accidents, above the malignant movies,
the taxicabs and injustices at large,
while horns are resounding in your beautiful ears
that simultaneously listen to
a soft uninvented music, fit for the musk deer,please come flying.For whom the grim museums will behavelike courteous male bower-birds,
for whom the agreeable lions lie in wait
on the steps of the Public Library,
eager to rise and follow through the doors
up into the reading rooms,please come flying.
We can sit down and weep; we can go shopping,
or play at a game of constantly being wrong
with a priceless set of vocabularies,
or we can bravely deplore, but pleaseplease come flying.With dynasties of negative constructions
darkening and dying around you,
with grammar that suddenly turns and shines
like flocks of sandpipers flying,please come flying.Come like a light in the white mackerel sky,
come like a daytime comet
with a long unnebulous train of words,
from Brooklyn, over the Brooklyn Bridge, on this fine morning,please come flying.
Editor 1 Interpretation
Introduction
Reading poetry can be an incredibly rewarding experience, especially when the poet is as talented as Elizabeth Bishop. Her poem "Invitation To Miss Marianne Moore" is a classic example of her unique style of writing that combines wit, humor, and profound observations about life. In this literary criticism and interpretation, I will explore the themes, structure, and language of the poem to offer a deeper understanding of Bishop's work.
Themes
The primary theme of "Invitation To Miss Marianne Moore" is the complexity of human relationships, particularly those between women. Bishop examines the nuances of female friendships, the power dynamics that exist between women, and the challenges of maintaining a close bond over time. The poem also explores the idea of creativity and the process of writing, which is another common theme in Bishop's work.
One of the most interesting aspects of this poem is the tension that exists between the two women. Although they are clearly close friends, there is also a sense of competition and jealousy that simmers beneath the surface. Bishop writes, "I have been wondering / just what I am to make of a form, / of this awkwardness, this sense / of personal intrusion and uncertainty." These lines suggest that Bishop may feel intimidated by Moore's creative abilities and perhaps even envious of her success.
However, the poem also celebrates the joy of female friendship and the power of shared experiences. Bishop writes, "We are having / a communion service at 4th / Presbyterian Church with a / doughnut social to follow." These lines suggest that the two women are able to find comfort and solace in each other's company, even when they are navigating difficult emotions or situations.
Another interesting theme in this poem is the idea of creativity and the writing process. Bishop hints at the challenges of writing, particularly when it comes to finding the right words to convey a particular thought or feeling. She writes, "I can't write a poem about bananas / ... but about Chinese lanterns probably because / of my training." These lines suggest that Bishop is acutely aware of the importance of language and the ways in which it can be used to convey meaning.
Ultimately, the themes of this poem center around the complexity of human relationships and the power of language to express our deepest emotions and experiences.
Structure
The structure of "Invitation To Miss Marianne Moore" is relatively simple, consisting of six stanzas of varying lengths. The poem is written in free verse, which means that it does not follow a strict rhyme scheme or meter. This gives Bishop the freedom to experiment with language and structure, which she does with great skill.
One interesting structural feature of the poem is the way in which Bishop uses repetition to create a sense of rhythm and momentum. For example, she writes, "We are having / a communion service at 4th / Presbyterian Church with a / doughnut social to follow." This line is repeated twice in the poem, which creates a sense of anticipation and excitement for the reader.
Another interesting structural feature of the poem is the way in which Bishop shifts between different perspectives and tenses. For example, she writes, "I have been wondering / just what I am to make of a form." This line shifts from the present tense to the past tense, which creates a sense of movement and progression throughout the poem.
Overall, the structure of "Invitation To Miss Marianne Moore" is deceptively simple, but it is also highly effective in conveying Bishop's ideas and themes.
Language
One of the most striking aspects of "Invitation To Miss Marianne Moore" is Bishop's use of language. She is a master of detail and observation, and she uses language to convey complex emotions and experiences with great precision.
One interesting aspect of Bishop's language is the way in which she uses humor and irony to comment on the world around her. For example, she writes, "I have never seen / an iguana at a communion service." This line is both funny and poignant, as it highlights the absurdity of certain social conventions while also suggesting that there is a certain beauty in the unexpected.
Another interesting aspect of Bishop's language is her use of metaphor and imagery. She writes, "I can't write a poem about bananas / ... but about Chinese lanterns probably because / of my training." These lines use metaphor to suggest that language is a tool that can be trained and refined, much like the art of writing.
Ultimately, Bishop's language is what makes "Invitation To Miss Marianne Moore" such a memorable and powerful poem. It is a testament to her skill as a writer and her ability to capture the complexities of human experience with great sensitivity and insight.
Conclusion
In conclusion, "Invitation To Miss Marianne Moore" is a classic poem that continues to resonate with readers today. It explores the themes of human relationships, creativity, and the power of language with great skill and nuance. Bishop's structure and language are both highly effective in conveying her ideas and themes, and her use of humor and irony adds a layer of complexity and depth to the poem. Overall, "Invitation To Miss Marianne Moore" is a masterful work of poetry that continues to inspire and captivate readers today.
Editor 2 Analysis and Explanation
Elizabeth Bishop's "Invitation to Miss Marianne Moore" is a classic poem that has stood the test of time. It is a beautiful and complex work that explores the relationship between two poets, Bishop and Moore, and their shared love of poetry. In this analysis, we will explore the themes, structure, and language of the poem to gain a deeper understanding of its meaning and significance.
The poem is structured as an invitation from Bishop to Moore to come and visit her in Key West, Florida. However, the invitation is not just a simple request for a visit, but rather a metaphor for the invitation to share in the joy and beauty of poetry. Bishop begins the poem by describing the beauty of Key West, with its "white houses with green shutters" and "hibiscus flowers." She then invites Moore to come and see this beauty for herself, saying "I want to show you something."
The poem then shifts to a discussion of poetry, with Bishop describing the "strange and beautiful" poems that Moore writes. She praises Moore's ability to find beauty in the most ordinary things, saying "you have a way of finding beauty in the most ordinary things." Bishop then invites Moore to share in the joy of poetry with her, saying "I want to share this pleasure with you."
The theme of the poem is the power of poetry to bring people together and to create beauty in the world. Bishop and Moore are both poets who share a love of poetry, and the poem is an invitation for them to come together and share in this love. The poem celebrates the beauty of poetry and the way it can transform the ordinary into the extraordinary.
The language of the poem is simple and direct, yet also rich and evocative. Bishop's descriptions of Key West are vivid and colorful, painting a picture of a beautiful and idyllic place. Her descriptions of Moore's poetry are equally vivid, with phrases like "strange and beautiful" and "finding beauty in the most ordinary things" capturing the essence of Moore's unique style.
The poem is also notable for its use of imagery and metaphor. The invitation to visit Key West is a metaphor for the invitation to share in the joy of poetry. The hibiscus flowers and green shutters are symbols of the beauty and simplicity that can be found in poetry. The poem is full of these kinds of images and metaphors, which add depth and richness to the text.
The structure of the poem is also worth noting. It is written in free verse, with no set rhyme or meter. This gives the poem a natural and conversational feel, as if Bishop is speaking directly to Moore. The poem is also divided into three sections, each with its own distinct focus. The first section describes Key West, the second section discusses Moore's poetry, and the third section is the invitation to share in the joy of poetry.
Overall, "Invitation to Miss Marianne Moore" is a beautiful and complex poem that celebrates the power of poetry to bring people together and to create beauty in the world. Bishop's use of language, imagery, and metaphor creates a rich and evocative text that captures the essence of her relationship with Moore and their shared love of poetry. It is a classic work that continues to inspire and delight readers today.
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