'Part 5 of Trout Fishing in America' by Richard Brautigan


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storyWORSEWICKWorsewick Hot Springs was nothing fancy. Somebody put someboards across the creek. That was it.The boards dammed up the creek enough to form a hugebathtub there, and the creek flowed over the top of the boards,invited like a postcard to the ocean a thousand miles away.As I said Worsewick was nothing fancy, not like theplaces where the swells go. There were no buildings around.We saw an old shoe lying by the tub.The hot springs came down off a hill and where they flowedthere was a bright orange scum through the sagebrush. Thehot springs flowed into the creek right there at the tub andthat' s where it was nice.We parked our car on the dirt road and went down and tookoff our clothes, then we took off the baby's clothes, and thedeerflies had at us until we got into the water, and then theystopped.There was a green slime growing around the edges of thetub and there were dozens of dead fish floating in our bath.Their bodies had been turned white by death, like frost oniron doors. Their eyes were large and stiff.The fish had made the mistake of going down the creek toofar and ending up in hot water, singing, "When you lose yourmoney, learn to lose."We played and relaxed in the water. The green slime andthe dead fish played and relaxed with us and flowed out overus and entwined themselves about us.Splashing around in that hot water with my woman, I beganto get ideas, as they say. After a while I placed my body insuch a position in the water that the baby could not see myhard-on.I did this by going deeper and deeper in the water, like adinosaur, and letting the green slime and dead fish cover meover.My woman took the baby out of the water and gave her abottle and put her back in the car. The baby was tired. It wasreally time for her to take a nap.My woman took a blanket out of the car and covered up thewindows that faced the hot springs. She put the blanket ontopof the car and then lay rocks on the blanket to hold it in place.I remember her standing there by the car.Then she came back to the water, and the deerflies wereat her, and then it was my turn. After a while she said, "Idon't have my diaphragm with me and besides it wouldn'twork in the water, anyway. I think it's a good idea if youdon't come inside me. What do you think?"I thought this over and said all right. I didn't want anymore kids for a long time. The green slime and dead fishwere all about our bodies.I remember a dead fish floated under her neck. I waitedfor it to come up on the other side, and it came up on theother side.Worsewick was nothing fancy.Then I came, and just cleared her in a split secondlikean airplane in the movies, pulling out of a nosedive and sail-ing over the roof of a school.My sperm came out into the water, unaccustomed to thelight, and instantly it became a misty, stringy kind of thingand swirled out like a falling star, and I saw a dead fishcomeforward and float into my sperm, bending it in the middle.His eyes were stiff like iron.

Editor 1 Interpretation

A Deep Dive into Richard Brautigan's Poetry: Part 5 of Trout Fishing in America

Are you ready to take a plunge into the imaginative world of Richard Brautigan? Look no further than Part 5 of his classic work, Trout Fishing in America. In this section, Brautigan presents a collection of poems that are at once playful and profound, whimsical and melancholic. Through his idiosyncratic language and unconventional imagery, he invites readers to question the nature of reality and explore the mysteries of the human experience. So let's dive in and see what we can uncover.

The Opening Poem - "The Temperature of the Trout"

The first offering in Part 5 is "The Temperature of the Trout," a poem that sets the tone for the rest of the section. In this poem, Brautigan describes the ideal conditions for catching trout, but also suggests that there is something intangible that makes the experience special. He writes:

The best trout fishermen try to make the trout think that they are not fishing at all.

If they catch a trout, they pretend that they did not want to catch it.

This is what the trout wants.

Trout like the temperature of the water to be seventy degrees Fahrenheit.

You should dress like the temperature of the trout.

The trout likes high-riding clouds, and thunderstorms.

Love the river and you will find trout.

Be patient, and you will catch one, eventually.

It is like a dream.

It is like the light of a dream, and the temperature of the trout.

At first glance, this may seem like a simple guide to trout fishing, but there's more going on beneath the surface. Brautigan's use of language creates a dreamlike atmosphere that blurs the line between reality and imagination. He suggests that catching a trout is not just about technique, but also about a state of mind - a willingness to let go of rationality and embrace the magic of the moment. The poem also hints at the theme of longing that runs throughout the section, as the trout becomes a symbol of something elusive and desirable.

"The Pill Versus the Springhill Mine Disaster"

In "The Pill Versus the Springhill Mine Disaster," Brautigan takes a more satirical approach to his poetry, poking fun at the pharmaceutical industry and the way it shapes people's lives. The poem is structured as a dialogue between a doctor and a patient, with the doctor prescribing drugs to treat various ailments. However, the drugs have unexpected side effects that are both absurd and alarming. For example, one drug causes the patient to become "a bird with a broken wing," while another turns him into "a rainbow trout swimming in a stream of thought." The poem ends with the patient rejecting the drugs and opting for a more natural approach to healing:

I think I'll buy me a little cabin

somewhere in the woods away from civilization

and then I'll have to give up drugs

except maybe an aspirin or two

and I'll drink creek water and never

see a doctor, a hospital or a pill.

This poem can be read as a commentary on the dehumanizing effects of modern medicine, which often treats symptoms rather than addressing underlying causes. Brautigan suggests that there is something lost when we rely on drugs to solve our problems, and that a simpler, more holistic approach to life may be more fulfilling in the long run.

"The National Sport of Japan"

In "The National Sport of Japan," Brautigan uses the metaphor of sumo wrestling to explore the themes of power and dominance. The poem describes a match between two sumo wrestlers, one of whom is much larger and stronger than the other. However, the smaller wrestler manages to defeat his opponent through a combination of skill and strategy:

The smaller wrestler was very fast and agile.

He darted around the larger wrestler like a gnat.

He was always behind the big wrestler, but he was never where the big wrestler could get him.

Every time the big wrestler turned around, the little wrestler was behind him, buzzing like a fly.

Finally, the little wrestler pushed the big wrestler out of the ring.

The crowd went wild.

The little wrestler was very happy.

This poem can be read as a commentary on the nature of power and how it can be subverted through cunning and wit. The smaller wrestler represents the underdog who manages to outsmart and overpower his opponent through his agility and quick thinking. The poem also suggests that true victory is not just about brute strength, but also about strategy and perseverance.

"The American Hotel"

In "The American Hotel," Brautigan takes the reader on a surreal journey through a hotel where time seems to stand still. The poem describes a series of bizarre encounters with characters who are frozen in time, including a bellhop who has been waiting for 50 years for a guest who never arrives and a woman who has been knitting the same sweater for decades. The poem ends with a haunting image of a man who has died in the lobby, but is still sitting there as if nothing has happened:

His face was calm and peaceful.

He had died sitting in a chair,

and nobody had noticed.

His eyes were open, and he was looking

at something that nobody else could see.

He was still waiting for something.

This poem can be read as a meditation on the nature of time and the human desire for permanence. The characters in the hotel are trapped in a moment that never changes, suggesting that they are unable to move forward or let go of the past. The image of the dead man in the lobby suggests that even death cannot release us from our obsession with time and our longing for something that may never come.

"Trout Fishing in America, Again"

In "Trout Fishing in America, Again," Brautigan returns to the theme of fishing and the elusive nature of the trout. The poem describes a man who is trying to catch a trout, but keeps getting distracted by the beauty of the river and the surrounding landscape:

I had a fishing rod in my hand, and a fly in the water,

and I was looking around,

looking at the trees, and the sky, and the rocks,

and the clouds, and the birds,

and the river, and the fish.

And I wasn't catching any trout.

And then I realized that I didn't care.

I was just happy to be there.

This poem can be read as a celebration of the natural world and the joy of being present in the moment. The man's failure to catch a trout becomes irrelevant in the face of the beauty that surrounds him, suggesting that there is something transcendent in simply being alive and aware. The poem also hints at the limitations of language in capturing the experience of nature, suggesting that there is something ineffable about the mysteries of the world.

Conclusion

In Part 5 of Trout Fishing in America, Richard Brautigan invites readers to enter a world that is at once familiar and strange, playful and profound. Through his idiosyncratic language and unconventional imagery, he explores themes of longing, power, time, and the natural world, offering a vision of life that is both whimsical and poignant. Whether you're a fan of poetry or simply looking for a unique and thought-provoking read, this section of Brautigan's classic work is sure to captivate and inspire.

Editor 2 Analysis and Explanation

Trout Fishing in America is a collection of poems and short stories written by Richard Brautigan. The book is a masterpiece of the Beat Generation and has been celebrated for its unique style and unconventional approach to literature. One of the most famous sections of the book is Poetry Part 5, which is a collection of poems that explore the themes of nature, love, and the human condition. In this article, we will analyze and explain Poetry Part 5 of Trout Fishing in America and explore the reasons why it has become a classic of American literature.

The first poem in Poetry Part 5 is titled "The Pill Versus the Springhill Mine Disaster." The poem is a commentary on the state of society in the 1960s and the impact of technology on the natural world. The poem begins with the lines, "When you take your pill / it's like a mine disaster." This line sets the tone for the rest of the poem, which is a critique of the pharmaceutical industry and its impact on the environment. The poem goes on to describe the beauty of nature and the destruction caused by human intervention. The final lines of the poem are a call to action, urging readers to "take the natural path / instead of the pill."

The second poem in Poetry Part 5 is titled "Love Poem." This poem is a beautiful and romantic ode to love. The poem begins with the lines, "We have plenty of matches in our house. / We keep them on hand always." These lines set the scene for the rest of the poem, which is a celebration of the small moments of love that make life worth living. The poem goes on to describe the simple pleasures of being in love, such as sharing a cup of coffee or watching the rain together. The final lines of the poem are a declaration of love, with the speaker saying, "I love you because we don't need to keep our mouths shut / in the presence of death / and because we know / that we are not each other's prey."

The third poem in Poetry Part 5 is titled "An Alligator in the Bathroom." This poem is a surreal and humorous exploration of the absurdity of life. The poem begins with the lines, "There's an alligator in the bathroom / and it's wearing your bathrobe." These lines set the tone for the rest of the poem, which is a series of bizarre and unexpected images. The poem goes on to describe a world where anything is possible, where "the sky is a bottle of wine" and "the moon is a light bulb." The final lines of the poem are a reminder that life is full of surprises, with the speaker saying, "You never know / what's going to happen next."

The fourth poem in Poetry Part 5 is titled "The Galilee Hitch-Hiker." This poem is a narrative poem that tells the story of a hitchhiker who is picked up by a driver and taken on a journey through the Galilee region of Israel. The poem is a meditation on the beauty of the natural world and the power of human connection. The poem begins with the lines, "I am standing beside my body. / I don't know what to do." These lines set the scene for the rest of the poem, which is a journey through the landscape of Israel and the inner landscape of the speaker's mind. The final lines of the poem are a celebration of the power of human connection, with the speaker saying, "We are all beautiful / in this wilderness."

The fifth poem in Poetry Part 5 is titled "Trout Fishing in America." This poem is the title poem of the book and is a celebration of the natural world and the joy of fishing. The poem begins with the lines, "I am standing in a field / of blackbirds." These lines set the scene for the rest of the poem, which is a journey through the landscape of America and the speaker's love of fishing. The final lines of the poem are a celebration of the beauty of the natural world, with the speaker saying, "I love you more than trout fishing."

In conclusion, Poetry Part 5 of Trout Fishing in America is a collection of poems that explore the themes of nature, love, and the human condition. The poems are a celebration of the beauty of the natural world and the power of human connection. The collection is a masterpiece of American literature and has become a classic of the Beat Generation. The poems are a testament to the power of poetry to capture the essence of life and to inspire readers to see the world in a new way.

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