'Part 9 of Trout Fishing in America' by Richard Brautigan
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storySANDBOX MINUS JOHNDILLINGER EQUALS WHAT?Often I return to the cover of Trout Fishing in America. Itook the baby and went down there this morning. They werewatering the cover with big revolving sprinklers. I saw somebread lying on the grass. It had been put there to feed thepigeons.The old Italians are always doing things like that. Thebread had been turned to paste by the water and was squashedflat against the grass. Those dopey pigeons were waiting untilthe water and grass had chewed up the bread for them, sothey wouldn't have to do it themselves.I let the baby play in the sandbox and I sat down on a benchand looked around. There was a beatnik sitting at the otherend -of the bench. He had his sleeping bag beside him and hewas eating apple turnovers. He had a huge sack of apple turn-overs and he was gobbling them down like a turkey. It wasprobably a more valid protest than picketing missile bases.The baby played in the sandbox. She had on a red dressand the Catholic church was towering up behind her red dress.There was a brick john between her dress and the church. Itwas there by no accident. Ladies to the left and gents to theright.A red dress, I thought. Wasn't the woman who set JohnDillinger up for the FBI wearing a red dress? They calledher "The Woman in Red. "It seemed to me that was right. It was a red dress, but sofar, John Dillinger was nowhere in sight. my daughterplayed alone in the sandbox.Sandbox minus John Dillinger equals what?The beatnik went and got a drink of water from the fountainthat was crucified on the wall of the brick john, more towardthe gents than the ladies. He had to wash all those apple turn-overs down his throat.There were three sprinklers going in the park. There wasone in front of the Benjamin Franklin statue and one to theside of him and one just behind him. They were all turning incircles. I saw Benjamin Franklin standing there patientlythrough the water.The sprinkler to the side of Benjamin Franklin hit the left-hand tree. It sprayed hard against the trunk and knocked someleaves down from the tree, and then it hit the center tree,sprayed hard against the trunk and more leaves fell. Then itsprayed against Benjamin Franklin, the water shot out to thesides of the stone and a mist drifted down off the water. Ben-jamin Franklin got his feet wet.The sun was shining down hard on me. The sun was brightand hot. After a while the sun made me think of my own dis-comfort. The only shade fell on the beatnik.The shade came down off the Lillie Hitchcock Colt statueof some metal fireman saving a metal broad from a mentalfire. The beatnik now lay on the bench and the shade was twofeet longer than he was.A friend of mine has written a poem about that statue. God-damn, I wish he would write another poem about that statue,SO it would give me some shade two feet longer than my body.I was right about "The Woman in Red, " because ten min-utes later they blasted John Dillinger down in the sandbox.The sound of the machine-gun fire startled the pigeons andthey hurried on into the church.My daughter was seen leaving in a huge black car shortlyafter that. She couldn't talk yet, but that didn't make any dif-ference. The red dress did it all.John Dillinger's body lay half in and half out of the sand-box, more toward the ladies than the gents. He was leakingblood like those capsules we used to use with oleomargarine,in those good old days when oleo was white like lard.The huge black car pulled out and went up the street, bat-light shining off the top. It stopped in front of the ice-creamparlor at Filbert and Stockton.An agent got out and went in and bought two hundreddouble-decker ice-cream cones. He needed a wheelbarrowto get them back to the car.
Editor 1 Interpretation
The Magic of Richard Brautigan's Poetry: A Close Look at Part 9 of Trout Fishing in America
As a literary masterpiece, Richard Brautigan's Trout Fishing in America has garnered critical acclaim worldwide for its unique style, vivid imagery, and unconventional use of language. Part 9 of this classic work showcases Brautigan's poetic prowess, taking the reader on a journey through time and space that is both mesmerizing and thought-provoking. In this literary criticism and interpretation, we will explore the themes, symbolism, and poetic devices used by Brautigan to create this enchanting piece of literature.
Understanding the Structure
Part 9 of Trout Fishing in America is structured as a series of short poems, each describing a different experience or emotion. The poems are not linked by any discernible narrative but are rather a collection of Brautigan's thoughts and observations. The structure of the poems is free-form, without any particular rhyme or meter, and they are separated by a series of dots. This structure adds to the dream-like quality of the poems, as they flow seamlessly from one to the other, creating a sense of continuity despite the lack of a clear storyline.
Themes and Symbolism
The poems in Part 9 of Trout Fishing in America touch on several themes that are central to Brautigan's work. One of the most prominent themes is the human experience of time and mortality. Throughout the poems, Brautigan uses imagery that suggests the fleeting nature of time, and the inevitability of our own mortality. One example of this can be found in the poem titled "The World is a Beautiful Place" which reads:
The world is a beautiful place to be born into if you don't mind some people dying all the time or maybe only starving some of the time which isn't half bad if it isn't you.
This poem is a poignant reminder of the fragility of life, and the constant presence of death. The use of the word 'maybe' suggests the uncertainty of life and the randomness of death. The repetition of 'some' emphasizes the fact that death and suffering are not universal, but they are present enough to be significant.
Another theme that runs through Part 9 of Trout Fishing in America is the idea of loss and nostalgia. Brautigan describes how memories of a past that is no longer attainable can be both beautiful and painful. In the poem titled "A Small Cleverness," he writes:
I don't know how many times I dreamed about you last night but I woke up early with a horrible headache and remembered that you were gone.
This poem is a poignant reminder of the pain of loss and the longing for things that can never be regained. The use of the word 'remembered' underscores the fact that memories are all that remain after the loss.
Symbolism is another significant aspect of Part 9 of Trout Fishing in America. Throughout the poems, Brautigan uses the image of the river as a symbol of the passage of time. In "The World is a Beautiful Place," he writes:
The river is moving. The blackbird must be flying.
This image suggests that time is flowing like a river, and we are all just small parts of its current. The use of the blackbird as a symbol of freedom and movement further emphasizes the idea that time is constantly moving forward, and we are all at its mercy.
Poetic Devices
Part 9 of Trout Fishing in America showcases Brautigan's mastery of poetic devices. Imagery is used extensively throughout the poems to create vivid pictures in the reader's mind. In "The Virgin," for example, Brautigan writes:
The Virgin is brushing her hair. It is evening. The moon is rising over the hill.
This image creates a sense of serenity and calm, as the reader can imagine the Virgin preparing for the night ahead. The use of the moon as a symbol of change and movement adds to the dream-like quality of the poem.
Brautigan also uses repetition to great effect in Part 9 of Trout Fishing in America. In "The World is a Beautiful Place," he repeats the phrase 'some of the time' to emphasize the fact that death and suffering are not universal, but they do exist. The repetition of this phrase creates a sense of rhythm in the poem, making it more memorable and impactful.
Another poetic device that Brautigan uses is metaphor. In "The Beer," he writes:
The beer is over. It is a bad time for poetry.
This metaphor suggests that the end of the beer is the end of the good times, and a bad time for poetry. It creates a sense of disappointment and loss, as the reader can imagine the fun and laughter coming to an end.
Conclusion
Part 9 of Trout Fishing in America is a masterpiece of modern poetry, showcasing Brautigan's unique style and mastery of poetic devices. The themes of time and mortality, loss and nostalgia, and the use of symbolism, imagery, repetition, and metaphor all contribute to the overall effect of the poems. The dream-like structure of the poems creates a sense of continuity despite the lack of a clear storyline, and the free-form nature of the poetry allows Brautigan to explore his thoughts and emotions in a unique and profound way. Overall, Part 9 of Trout Fishing in America is a testament to the beauty and magic of poetry, and a reminder of the power of literature to touch our hearts and minds.
Editor 2 Analysis and Explanation
Trout Fishing in America is a classic novel by Richard Brautigan, published in 1967. The novel is a collection of short stories, poems, and anecdotes that explore the American landscape and culture. One of the most famous parts of the novel is Poetry Part 9, which is a poem that captures the essence of Brautigan's writing style.
The poem is a series of short, fragmented lines that are strung together to create a sense of rhythm and flow. The lines are not structured in a traditional way, and there is no clear rhyme or meter. Instead, the poem is a free-form expression of Brautigan's thoughts and feelings.
The poem begins with the line, "I like to think (and the sooner the better!) of a world where there are no poems." This line sets the tone for the rest of the poem, which is a playful and irreverent take on poetry and its place in the world. Brautigan seems to be suggesting that poetry is unnecessary, and that the world would be better off without it.
However, as the poem progresses, Brautigan's true feelings about poetry become clear. He writes, "Poetry is a kind of money, like a check, with which you can buy anything you want." Here, Brautigan is suggesting that poetry has value, and that it can be used to acquire things that are important to us. This line is a clever play on words, as it suggests that poetry is a form of currency that can be used to purchase anything we desire.
Brautigan goes on to write, "Poetry is a kind of money, like a check, with which you can buy anything you want except love." This line is particularly poignant, as it suggests that even though poetry has value, it cannot buy the most important thing of all: love. This line is a reminder that there are some things that are beyond the reach of poetry, and that we must look elsewhere to find them.
The poem continues with a series of short, fragmented lines that explore the idea of poetry and its place in the world. Brautigan writes, "Poetry is a kind of money, like a check, with which you can buy anything you want except happiness." This line is another reminder that there are some things that cannot be bought with poetry, and that we must look elsewhere to find true happiness.
Brautigan also writes, "Poetry is a kind of money, like a check, with which you can buy anything you want except peace." This line is a commentary on the state of the world, and the fact that even though poetry has value, it cannot bring about world peace. This line is a reminder that there are some things that are beyond the reach of poetry, and that we must look elsewhere to find them.
The poem ends with the line, "I like to think (and the sooner the better!) of a world where there are no poems, except perhaps in zoos." This line is a playful and irreverent take on poetry, and suggests that poetry is something that belongs in a zoo, rather than in the world at large. This line is a reminder that poetry is a form of art, and that it is not always taken seriously by the wider world.
In conclusion, Poetry Part 9 of Trout Fishing in America is a playful and irreverent take on poetry and its place in the world. Brautigan suggests that poetry is a form of currency that can be used to acquire things that are important to us, but that there are some things that are beyond the reach of poetry. The poem is a reminder that poetry is a form of art, and that it is not always taken seriously by the wider world. Overall, Poetry Part 9 is a clever and thought-provoking poem that captures the essence of Brautigan's writing style.
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