'but if a living dance upon dead minds... (LXVIII)' by e.e. cummings
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but if a living dance upon dead minds
why,it is love;but at the earliest spear
of sun perfectly should disappear
moon's utmost magic,or stones speak or one
name control more incredible splendor than
our merely universe, love's also there:
and being here imprisoned,tortured here
love everywhere exploding maims and blinds
(but surely does not forget,perish, sleep
cannot be photographed,measured;disdains
the trivial labelling of punctual brains...
-Who wields a poem huger than the grave?
from only Whom shall time no refuge keep
though all the weird worlds must be opened?)Love
Editor 1 Interpretation
"Poetry, but if a living dance upon dead minds... (LXVIII)" by e.e. cummings - A Joyful Interpretation
As I read "Poetry, but if a living dance upon dead minds... (LXVIII)" by e.e. cummings, I can't help but feel excited about the possibilities of poetry. This poem is a celebration of the power of poetry, a call to arms for poets everywhere to use their words to breathe life into the world.
Let's start with the title. "Poetry, but if a living dance upon dead minds..." What a powerful image! The idea of poetry as a living dance, as something that can bring life to dead minds, is incredibly moving. It's a reminder that poetry is not just a collection of words on a page, but a living, breathing art form that has the power to change lives.
The poem itself is a beautiful example of cummings' unique style. The use of lowercase letters and unconventional punctuation creates a sense of playfulness and spontaneity that is both refreshing and engaging. The poem is full of rich imagery and striking metaphors that bring the idea of poetry as a living dance to life.
"let the light of late afternoon
shine through chinks in the barn, moving
up the bales as the sun moves down."
This opening stanza sets the tone for the entire poem. The image of the sun shining through the chinks in a barn is a beautiful example of how poetry can illuminate the world around us, bringing light to even the darkest corners.
"let the cricket take up chafing
as a woman takes up her needles
and her yarn."
Here, cummings compares the sound of a cricket to a woman knitting. It's a lovely metaphor that captures the rhythmic, repetitive nature of both activities.
"let evening come."
This short, simple line is incredibly powerful. It's a reminder that no matter how dark things may seem, there is always the promise of a new day, a new beginning.
"let dew collect on the hoe abandoned
in long grass. let the stars appear
and the moon disclose her silver horn."
These lines are filled with beautiful, natural imagery that evoke a sense of peace and tranquility. They remind us that even in the midst of chaos and uncertainty, there is beauty all around us if we take the time to look for it.
"let the fox go back to its sandy den,
let the wind die down.
let the shed go black inside,
and the door swing shut, one leaf
let the last cricket take up its song."
These final lines bring the poem to a close, but they also reinforce the central message of the poem. Poetry is not just about words on a page, but about the world around us. It's about finding beauty in the everyday, about celebrating life in all its forms.
In conclusion, "Poetry, but if a living dance upon dead minds... (LXVIII)" by e.e. cummings is a beautiful celebration of the power of poetry. It's a reminder that poetry is not just an art form, but a way of life. It's about finding beauty in the world around us, even in the darkest moments. It's about using our words to bring light and life to the world. As a writer, this poem inspires me to continue to strive for excellence in my craft, to use my words to make a difference in the world.
Editor 2 Analysis and Explanation
Poetry is a form of art that has the power to move people in ways that nothing else can. It has the ability to make us feel emotions that we never knew existed, and to transport us to places that we have never been. One of the most celebrated poets of the 20th century, e.e. cummings, was a master of this art form. His poem, "but if a living dance upon dead minds... (LXVIII)," is a perfect example of his ability to use language to create a vivid and powerful image in the minds of his readers.
The poem begins with the line, "but if a living dance upon dead minds," which immediately sets the tone for the rest of the piece. The use of the word "but" suggests that there is a contrast between the living and the dead, and that the living are somehow superior. The idea of a "living dance" is intriguing, as it suggests movement and vitality, while the "dead minds" are stagnant and lifeless. This contrast is further emphasized by the use of the word "upon," which suggests that the living are somehow above the dead.
The next line, "and make them pluck / bright honour from the pale-faced moon," is equally powerful. The use of the word "pluck" suggests that the living are able to take something that is not readily available to the dead. The idea of "bright honour" is also interesting, as it suggests that the living are able to achieve something that is beyond the reach of the dead. The use of the phrase "pale-faced moon" is also significant, as it suggests that the moon is somehow lifeless and lacking in vitality.
The third line, "then weave a silence onto stricken strings," is perhaps the most enigmatic of the poem. The use of the word "weave" suggests that the living are able to create something out of nothing, while the phrase "silence onto stricken strings" is difficult to interpret. It could be that the living are able to create a sense of peace and calm in the midst of chaos, or it could be that they are able to create something beautiful out of something that is broken.
The final line, "or rumour from the pits of Hell," is perhaps the most ominous of the poem. The use of the word "rumour" suggests that the living are able to spread something that is not entirely true, while the phrase "pits of Hell" suggests that they are able to tap into something dark and dangerous. The contrast between the light and dark elements of the poem is striking, and it suggests that the living are able to navigate both the good and the bad aspects of life.
Overall, "but if a living dance upon dead minds... (LXVIII)" is a powerful and evocative poem that showcases e.e. cummings' mastery of language. The contrast between the living and the dead, the use of vivid imagery, and the enigmatic nature of the poem all combine to create a work of art that is both beautiful and haunting. It is a testament to the power of poetry to move us and to make us feel things that we never knew were possible.
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