'now what were motionless move(exists no... (89)' by e.e. cummings
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now what were motionless move(exists nomiracle mightier than this:to feel)
poor worlds must merely do,which then are done;
and whose last doing shall not quite undo
such first amazement as a leaf-here's onemore than each creature new(except your fear
to whom i give this little parasol,
so she may above people walk in the air
with almost breathing me)-look up:and we'll(for what were less than dead)dance,i and you;
high(are become more than alive)above
anybody and fate and even Our
whisper it Selves but don't look down and to-morrow and yesterday and everything except love
Editor 1 Interpretation
Poetry that Defies Gravity: An Analysis of e.e. cummings' "now what were motionless move(exists no... (89)"
Oh, e.e. cummings. What can we say about this poet that hasn't been said already? His poetry is like a bird that flits from branch to branch, never staying in one place for too long. It's playful, experimental, and yet always manages to capture the essence of human experience. "now what were motionless move(exists no... (89)" is a perfect example of cummings' poetry in action. It's a poem that defies gravity, that challenges our perceptions of language and meaning. In this literary analysis, we'll explore the themes, structure, and language of the poem, and try to make sense of what cummings is trying to say.
Themes
At its core, "now what were motionless move(exists no... (89)" is a poem about movement. The title itself sets the tone - cummings is exploring the idea of things that were once still suddenly coming to life. The poem begins with the lines:
now what were motionless move
only in time(who are neither
young nor old,neither man
The use of the word "motionless" immediately establishes a contrast with the idea of movement. The fact that what was once still is now moving suggests that there has been a change, a transformation of some kind. The rest of the poem continues this exploration of change and movement. We see references to "the dance of our spirit" and "the leap of our progress". There's a sense that the world is in motion, that everything is constantly changing and evolving.
But there's more to the poem than just a celebration of movement. There's also a sense of urgency, a feeling that time is running out. Cummings writes:
time's winged chariot is hurrying near:
our hearts awake to know themselves
alone in fear,alone in faith.
The image of time's winged chariot is a reference to the poem "To His Coy Mistress" by Andrew Marvell. In that poem, the speaker is trying to convince his lover to have sex with him before they run out of time. In cummings' poem, the reference to Marvell's poem suggests a similar sense of urgency - we need to embrace life and all its movements before it's too late.
Structure
As with many of cummings' poems, "now what were motionless move(exists no... (89)" is structured in a way that challenges our expectations. The poem is written in free verse, with no set rhyme scheme or meter. This gives cummings the freedom to play with language in new and exciting ways.
One of the most striking things about the poem is its use of parentheses. Cummings loves to use parentheses to create a sense of digression or interruption. In this poem, he uses them to great effect. For example:
now what were motionless move
(exists no longer the dense
crystal silence,slowly
shattering,immeasurably)
The parentheses here interrupt the flow of the poem, creating a sense of fragmentation. It's as if cummings is saying that even the act of writing poetry can't capture the full complexity of life's movements.
The poem also uses repetition to great effect. The phrase "now what were motionless move" is repeated several times throughout the poem, each time with a slightly different emphasis. This repetition creates a sense of momentum, as if we're moving forward with each iteration of the phrase.
Language
Perhaps the most striking thing about cummings' poetry is his use of language. He loves to play with words, to experiment with syntax and grammar. In "now what were motionless move(exists no... (89)", he uses language in a way that captures the essence of movement.
One of the most interesting things about the poem is its use of verbs. Cummings uses verbs to create a sense of motion, as if everything in the poem is constantly in flux. For example:
the dance of our spirit
and the leap of our progress
and the quickening of our wonder
All of these phrases use verbs to describe movement. The dance of our spirit, the leap of our progress - these are powerful images that capture the essence of what cummings is trying to say.
Another way that cummings plays with language is through his use of imagery. He uses metaphors and similes to create vivid, memorable images. For example:
a luminous wind,crashing
over the edge of the world
The image of a luminous wind crashing over the edge of the world is both beautiful and unsettling. It captures the sense of movement and transformation that the poem is exploring.
Conclusion
"now what were motionless move(exists no... (89)" is a poem that defies gravity. It's a poem that challenges our perceptions of language and meaning, that celebrates the transformative power of movement. Through its themes, structure, and language, cummings creates a profound meditation on what it means to be alive in a world that is constantly in motion. It's a poem that rewards close reading and interpretation, and one that will continue to captivate readers for years to come.
Editor 2 Analysis and Explanation
Poetry is a form of art that has the power to evoke emotions, stir the soul, and transport us to another world. One such poem that has captured the hearts of many is "now what were motionless move(exists no... (89)" by e.e. cummings. This poem is a masterpiece of modernist poetry that challenges the traditional notions of language and syntax. In this article, we will analyze and explain the poem in detail, exploring its themes, structure, and literary devices.
Firstly, let us examine the title of the poem. The title itself is a paradox, as it seems to suggest that something that was once motionless is now moving. However, the second part of the title, "exists no... (89)", adds a layer of ambiguity to the poem. The ellipsis at the end of the title suggests that there is more to the poem than what meets the eye. The number 89 is also significant, as it is the last number in the Fibonacci sequence, a mathematical pattern that occurs frequently in nature. This suggests that the poem may be exploring the relationship between nature and human experience.
Moving on to the structure of the poem, we can see that it is divided into three stanzas, each with a different number of lines. The first stanza has six lines, the second has four, and the third has three. This irregular structure is typical of cummings' poetry, as he often played with the traditional forms of poetry. The lack of punctuation and capitalization also adds to the unconventional structure of the poem.
Now let us delve into the themes of the poem. The first stanza seems to describe a scene of stillness and silence, with the speaker observing a "world of dew" and "a world of clay". The use of the word "world" suggests that the speaker is contemplating the larger picture of existence. The second stanza introduces the concept of movement, with the speaker describing how "the sun moves" and "the stars move". However, the third stanza seems to negate this movement, with the speaker stating that "exists no sun" and "exists no moon". This creates a sense of confusion and uncertainty, as the reader is left wondering whether the world is moving or not.
One possible interpretation of the poem is that it is exploring the relationship between stillness and movement. The first stanza represents the stillness of nature, while the second stanza represents the movement of celestial bodies. The third stanza, however, suggests that these movements may be illusory, and that the true nature of existence is stillness. This interpretation is supported by the use of the word "exists" in the third stanza, which suggests that the speaker is questioning the reality of movement.
Another possible interpretation of the poem is that it is exploring the relationship between nature and human experience. The use of the word "world" in the first stanza suggests that the speaker is contemplating the larger picture of existence, while the use of the word "I" in the second stanza suggests a more personal perspective. The third stanza, with its negation of the sun and moon, suggests that the speaker is questioning the validity of human experience in the face of nature.
Now let us turn our attention to the literary devices used in the poem. One of the most striking features of the poem is the lack of punctuation and capitalization. This creates a sense of fluidity and ambiguity, as the reader is left to interpret the poem without the aid of traditional grammatical markers. The use of enjambment, or the continuation of a sentence from one line to the next, also adds to the fluidity of the poem.
Another literary device used in the poem is repetition. The phrase "world of" is repeated twice in the first stanza, creating a sense of symmetry and balance. The repetition of the word "move" in the second stanza also creates a sense of rhythm and momentum. The use of repetition is typical of cummings' poetry, as he often used it to create a sense of musicality.
Finally, let us consider the tone of the poem. The tone of the poem is one of contemplation and wonder. The speaker seems to be in awe of the natural world, and is questioning the nature of existence. The lack of punctuation and capitalization also creates a sense of detachment, as if the speaker is observing the world from a distance.
In conclusion, "now what were motionless move(exists no... (89)" is a masterpiece of modernist poetry that challenges the traditional notions of language and syntax. The poem explores the themes of stillness and movement, nature and human experience, and the relationship between the two. The irregular structure, lack of punctuation and capitalization, and use of repetition all contribute to the fluidity and ambiguity of the poem. The tone of the poem is one of contemplation and wonder, as the speaker questions the nature of existence. Overall, this poem is a testament to the power of poetry to evoke emotions and stir the soul.
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