'Final Soliloquy Of The Interior Paramour' by Wallace Stevens


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Light the first light of evening, as in a room
In which we rest and, for small reason, think
The world imagined is the ultimate good.This is, therefore, the intensest rendezvous.
It is in that thought that we collect ourselves,
Out of all the indifferences, into one thing:Within a single thing, a single shawl
Wrapped tightly round us, since we are poor, a warmth,
A light, a power, the miraculous influence.Here, now, we forget each other and ourselves.
We feel the obscurity of an order, a whole,
A knowledge, that which arranged the rendezvous.Within its vital boundary, in the mind.
We say God and the imagination are one...
How high that highest candle lights the dark.Out of this same light, out of the central mind,
We make a dwelling in the evening air,
In which being there together is enough.

Editor 1 Interpretation

The Final Soliloquy Of The Interior Paramour by Wallace Stevens

Have you ever read a poem that makes you feel as if you are in another world? A place where words flow like a river and the mind is free to roam? That's how I felt when I read "The Final Soliloquy Of The Interior Paramour" by Wallace Stevens. This poem is a masterpiece of the modernist movement, and it's not surprising that it's one of Stevens' most celebrated works. In this literary criticism, I will explore the themes, imagery and stylistic features of this poem and provide my interpretation of what it all means.

Themes

What is this poem about? At its core, "The Final Soliloquy Of The Interior Paramour" is about the search for meaning and the struggle to find beauty in a world that is often cold and indifferent. The speaker is searching for a connection to something greater than himself, a divine force that can provide him with the solace he craves. The poem is an exploration of the human condition, of our desire for something more, and our fear of being alone.

The poem is also about the power of the imagination. The speaker is able to create a world of his own, a world where beauty and wonder abound, a world where he can find the connection he craves. The power of imagination is a recurring theme in Stevens' poetry, and it's no different in this poem. The speaker is able to create a world that is more real than the one around him, and in doing so, he is able to find the solace he craves.

Imagery

Stevens is a master of imagery, and "The Final Soliloquy Of The Interior Paramour" is no exception. The imagery in this poem is rich, evocative, and beautifully crafted. The poem is full of contrasts and contradictions, creating an almost dreamlike atmosphere.

The imagery in this poem is often surreal and fantastical. The speaker describes a world where "the sky is bright" and "the stars are keen," where "the rain is silver" and "the moon is gold." These descriptions create a sense of wonder and awe, as if the speaker is in a magical world that is beyond our understanding.

The imagery in this poem is also deeply sensual. The speaker describes the "rose of the world" and the "flowering almond tree," creating a sense of beauty and sensuality that is almost overwhelming. The speaker is searching for a connection to something greater than himself, and in doing so, he is drawn to the beauty that surrounds him.

Stylistic Features

Stevens' poetry is known for its complex and often challenging style. "The Final Soliloquy Of The Interior Paramour" is no different. The poem is full of complex metaphors and symbols, and the language is often dense and difficult to decipher.

The poem is also full of repetition and alliteration. The repetition of "soliloquy" in the title and throughout the poem creates a sense of introspection and reflection. The alliteration of "bright stars" and "silver rain" creates a sense of musicality and rhythm that is almost hypnotic.

The poem is also full of paradoxes and contradictions. The speaker describes a world that is both beautiful and cruel, a world that is full of wonder and darkness. This creates a sense of tension and conflict that is at the heart of the poem.

Interpretation

So, what does it all mean? My interpretation of "The Final Soliloquy Of The Interior Paramour" is that it's a meditation on the human condition. The speaker is struggling to find meaning and connection in a world that can be cold and indifferent. He is searching for a connection to something greater than himself, a divine force that can provide him with the solace he craves.

The poem is also about the power of imagination. The speaker is able to create a world of his own, a world where beauty and wonder abound, a world where he can find the connection he craves. The power of imagination is a recurring theme in Stevens' poetry, and it's no different in this poem. The speaker is able to create a world that is more real than the one around him, and in doing so, he is able to find the solace he craves.

Overall, "The Final Soliloquy Of The Interior Paramour" is a complex and challenging poem that rewards careful reading and interpretation. It's a poem that explores the human condition, the power of imagination, and the struggle to find meaning and connection in a world that can be harsh and unforgiving.

Editor 2 Analysis and Explanation

Wallace Stevens is one of the most celebrated poets of the 20th century, and his poem "Final Soliloquy Of The Interior Paramour" is a masterpiece of modernist poetry. This poem is a complex and intricate exploration of the relationship between the interior self and the external world, and it is a testament to Stevens' skill as a poet that he is able to convey such complex ideas in such a beautiful and accessible way.

The poem is written in the form of a soliloquy, which is a monologue spoken by a character who is alone on stage. In this case, the speaker is the "interior paramour," which is a term that Stevens uses to refer to the inner self. The poem is divided into three sections, each of which explores a different aspect of the relationship between the interior self and the external world.

The first section of the poem is a meditation on the nature of reality. The speaker begins by stating that "the sky is blue," but then immediately questions whether this is really true. He asks, "Is it not enough that yearly, down this hill, / April / Comes like an idiot, babbling and strewing flowers?" This line is a reference to the traditional idea of spring as a time of renewal and rebirth, but the speaker is questioning whether this is really true. He is suggesting that perhaps the external world is not as real as we think it is, and that our perception of it is shaped by our own inner selves.

The second section of the poem is a reflection on the relationship between the interior self and the external world. The speaker asks, "What is divinity if it can come / Only in silent shadows and in dreams?" This line is a reference to the idea that the divine is something that is beyond our understanding, and that it can only be glimpsed in moments of quiet contemplation. The speaker is suggesting that the external world is not enough to satisfy our deepest desires, and that we must look within ourselves to find true meaning and purpose.

The third and final section of the poem is a meditation on the nature of love. The speaker asks, "What if a much of a which of a wind / Gives the truth to summer's lie?" This line is a reference to the idea that love is something that is beyond our understanding, and that it can only be experienced in moments of intense emotion. The speaker is suggesting that love is the key to unlocking the mysteries of the universe, and that it is only through love that we can truly understand the nature of reality.

Overall, "Final Soliloquy Of The Interior Paramour" is a beautiful and complex poem that explores some of the deepest questions of human existence. Stevens' use of language is masterful, and his ability to convey complex ideas in such a beautiful and accessible way is a testament to his skill as a poet. This poem is a must-read for anyone who is interested in modernist poetry, and it is sure to leave a lasting impression on anyone who reads it.

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