'All All And All The Dry Worlds Lever' by Dylan Thomas
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IAll all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
City of spring, the governed flower,
Turns in the earth that turns the ashen
Towns around on a wheel of fire.How now my flesh, my naked fellow,
Dug of the sea, the glanded morrow,
Worm in the scalp, the staked and fallow.
All all and all, the corpse's lover,
Skinny as sin, the foaming marrow,
All of the flesh, the dry worlds lever.IIFear not the waking world, my mortal,
Fear not the flat, synthetic blood,
Nor the heart in the ribbing metal.
Fear not the tread, the seeded milling,
The trigger and scythe, the bridal blade,
Nor the flint in the lover's mauling.Man of my flesh, the jawbone riven,
Know now the flesh's lock and vice,
And the cage for the scythe-eyed raver.
Know, O my bone, the jointed lever,
Fear not the screws that turn the voice,
And the face to the driven lover.IIIAll all and all the dry worlds couple,
Ghost with her ghost, contagious man
With the womb of his shapeless people.
All that shapes from the caul and suckle,
Stroke of mechanical flesh on mine,
Square in these worlds the mortal circle.Flower, flower the people's fusion,
O light in zenith, the coupled bud,
And the flame in the flesh's vision.
Out of the sea, the drive of oil,
Socket and grave, the brassy blood,
Flower, flower, all all and all.
Editor 1 Interpretation
"All All And All The Dry Worlds Lever" by Dylan Thomas: A Detailed Literary Criticism and Interpretation
Dylan Thomas, the renowned poet, is known for his unconventional style and use of language. His poem, "All All And All The Dry Worlds Lever," is no exception. This poem is a prime example of Thomas' unique style and his ability to convey powerful emotions through his words. In this literary criticism and interpretation, we will analyze this poem, its themes, and its use of language to understand the essence of Thomas' work.
The Poem
“All All And All The Dry Worlds Lever” is a complex and intricate poem that consists of twelve stanzas, each with three lines. The poem's structure is consistent throughout, and each stanza follows a strict rhyme scheme of ABA. The poem's title itself is an example of Thomas' play on words and his love for language. The phrase "All All And All The Dry Worlds Lever" is a palindrome, meaning that it reads the same backward as forwards. This palindrome suggests a cyclic nature, and the idea of things coming full circle is a recurring theme throughout the poem.
The poem begins with the lines:
All all and all the dry worlds lever,
Stage of the ice, the solid ocean,
All from the oil, the pound of lava.
These lines set the stage for the rest of the poem, and we can already see Thomas' poetic style on display. The use of alliteration and internal rhyme in these lines creates a musical quality to the poem, and the language itself is rich and evocative. The phrase "dry worlds lever" suggests a barren, lifeless landscape, and the contrast between this image and the subsequent images of ice, ocean, and lava creates a sense of tension and conflict.
Themes
The themes of "All All And All The Dry Worlds Lever" are varied and complex, and the poem is open to multiple interpretations. One of the central themes of the poem is the cycle of life and death. The use of the palindrome in the title and the repetition of the phrase "All all and all" throughout the poem suggests a cyclical nature, and the image of lava turning to oil, which then turns to ice, reinforces this idea.
Another theme that runs through the poem is the idea of transformation. The poem describes the process of creation and destruction, and the way that one thing can be transformed into something entirely different. The image of "the pound of lava" turning into "the solid ocean" is a powerful example of this transformation, and it highlights the idea that nothing is ever truly lost or destroyed, but rather transformed into something new.
The poem also touches on the theme of time and the idea that everything is constantly changing. The use of phrases like "stage of the ice" and "pound of lava" suggests a theatrical quality to the poem, as if we are watching a performance of the natural world. This theatricality reinforces the idea that everything is constantly in motion, and that nothing remains the same for long.
Language
One of the most striking features of "All All And All The Dry Worlds Lever" is the language itself. Thomas' use of alliteration, internal rhyme, and assonance creates a musical quality to the poem, and his word choices are often surprising and unexpected. The phrase "the dry worlds lever," for example, is a neologism, a word that Thomas himself created to describe a barren landscape. This use of language is typical of Thomas' style, and it creates a sense of urgency and immediacy in the poem.
The poem is also notable for its use of imagery. Thomas' descriptions of ice, ocean, and lava are vivid and evocative, and they create a sense of the natural world as a living, breathing entity. The use of personification, such as "the solid ocean," reinforces this idea and gives the poem a sense of vitality and energy.
Interpretation
Interpreting "All All And All The Dry Worlds Lever" is a complex task, as the poem is open to multiple readings. The cyclic nature of the poem suggests that it is about the eternal cycle of life and death, and the idea that everything is constantly changing and transforming. The image of the "dry worlds lever" suggests a barren landscape, and the subsequent images of ice, ocean, and lava suggest a process of creation and destruction that is ongoing and eternal.
One possible interpretation of the poem is that it is a meditation on the nature of existence itself. The poem suggests that everything is interconnected, and that nothing exists in isolation from everything else. The use of the palindrome in the title and the repetition of the phrase "All all and all" reinforces this idea, and the poem suggests that everything is part of a larger whole.
Another interpretation of the poem is that it is a celebration of the natural world. The vivid descriptions of ice, ocean, and lava create a sense of wonder and awe, and the poem suggests that the natural world is a thing of beauty and power. The use of personification and the theatrical quality of the poem reinforce this idea, and the poem suggests that the natural world is something to be revered and respected.
Conclusion
In conclusion, "All All And All The Dry Worlds Lever" is a complex and intricate poem that showcases Dylan Thomas' unique poetic style. The poem touches on themes of life and death, transformation, and the cyclical nature of existence. The language of the poem is rich and evocative, and the use of imagery creates a vivid and powerful portrait of the natural world. Ultimately, the poem is open to multiple interpretations, and it invites the reader to engage with its themes and language in a meaningful way.
Editor 2 Analysis and Explanation
Poetry All All And All The Dry Worlds Lever: A Masterpiece of Dylan Thomas
Dylan Thomas, one of the most celebrated poets of the 20th century, is known for his unique style of writing that blends surrealism, symbolism, and romanticism. His poem, "Poetry All All And All The Dry Worlds Lever," is a masterpiece that showcases his poetic genius and his ability to create vivid imagery through words.
The poem is divided into three stanzas, each containing four lines. The first stanza sets the tone for the entire poem, with the opening line, "Poetry all all and all the dry worlds lever," creating a sense of grandeur and universality. The use of the word "lever" in this line is particularly interesting, as it suggests that poetry has the power to move the world, to shift its balance and change its course.
The second line of the first stanza, "Stage of the ice, the solid ocean, raving," is a perfect example of Thomas's use of surrealism. The image of a stage made of ice, set in the middle of a raging ocean, is both beautiful and unsettling. It creates a sense of instability and danger, as if the world is on the brink of collapse.
The third line of the first stanza, "Poetry projected, arctic dialectics, blast," is a bit more difficult to decipher. The use of the word "dialectics" suggests a clash of opposing forces, while "arctic" brings to mind images of coldness and isolation. The word "blast" adds to the sense of violence and chaos that permeates the poem.
The final line of the first stanza, "Brute beauty and valor and act, oh, air, pride, plume, here," is a call to arms, a rallying cry for the power of poetry to overcome the forces of darkness and chaos. The use of alliteration in this line, with the repeated "p" and "b" sounds, adds to the sense of urgency and passion.
The second stanza of the poem is perhaps the most surreal, with lines like "The sea sundown, meant storm, that brewing terror, tame," and "The wild sky, the green sky, the moist sky, commingling sun," creating a sense of otherworldliness and dreamlike beauty. The use of repetition in this stanza, with the repeated "sky" and "sun" sounds, adds to the sense of fluidity and movement.
The final stanza of the poem brings everything together, with the lines "All hinges go, all hinges go in dust, except this hinge of rust," creating a sense of finality and inevitability. The use of the word "rust" in this line is particularly poignant, as it suggests decay and the passage of time.
Overall, "Poetry All All And All The Dry Worlds Lever" is a masterpiece of poetry that showcases Dylan Thomas's unique style and his ability to create vivid imagery through words. The poem is both beautiful and unsettling, with its surreal imagery and its sense of urgency and passion. It is a testament to the power of poetry to move the world and to change the course of history.
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