'Love Lies Sleeping' by Elizabeth Bishop


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Earliest morning, switching all the tracks
that cross the sky from cinder star to star,coupling the ends of streetsto trains of light.now draw us into daylight in our beds;
and clear away what presses on the brain:put out the neon shapesthat float and swell and glaredown the gray avenue between the eyes
in pinks and yellows, letters and twitching signs.Hang-over moons, wane, wane!From the window I seean immense city, carefully revealed,
made delicate by over-workmanship,detail upon detail,cornice upon facade,reaching up so languidly up into
a weak white sky, it seems to waver there.(Where it has slowly grownin skies of water-glassfrom fused beads of iron and copper crystals,
the little chemical "garden" in a jartrembles and stands again,pale blue, blue-green, and brick.)The sparrows hurriedly begin their play.
Then, in the West, "Boom!" and a cloud of smoke."Boom!" and the exploding ballof blossom blooms again.(And all the employees who work in a plantswhere such a sound says "Danger," or once said "Death,"turn in their sleep and feelthe short hairs bristlingon backs of necks.) The cloud of smoke moves off.
A shirt is taken of a threadlike clothes-line.Along the street belowthe water-wagon comesthrowing its hissing, snowy fan across
peelings and newspapers.The water drieslight-dry, dark-wet, the patternof the cool watermelon.I hear the day-springs of the morning strike
from stony walls and halls and iron beds,scattered or grouped cascades,alarms for the expected:queer cupids of all persons getting up,
whose evening meal they will prepare all day,you will dine wellon his heart, on his, and his,so send them about your business affectionately,
dragging in the streets their unique loves.Scourge them with roses only,be light as helium,for always to one, or several, morning comes
whose head has fallen over the edge of his bed,whose face is turnedso that the image ofthe city grows down into his open eyes
inverted and distorted.No.I meandistorted and revealed,if he sees it at all.

Editor 1 Interpretation

Poetry, Love Lies Sleeping: A Masterpiece by Elizabeth Bishop

When it comes to writing poetry, few have mastered the craft as well as Elizabeth Bishop. Her poem "Love Lies Sleeping" is a true masterpiece that showcases her unparalleled talent in crafting beautiful, evocative verse. In this literary criticism and interpretation, we will delve deep into the poem's themes, symbols, and imagery, and explore what makes it such an enduring work of art.

Overview of the Poem

"Love Lies Sleeping" is a poem about the fleeting nature of love and the pain that comes with loss. The speaker of the poem is mourning the end of a romantic relationship, and is haunted by memories of the past. Through vivid descriptions of nature and powerful metaphors, Bishop paints a picture of a world that is both beautiful and cruel, where love can be as ephemeral as the morning mist.

Analysis of the Poem

Form and Structure

The poem is written in free verse, which allows Bishop to experiment with the structure of the poem and create a sense of fluidity and movement. The lines are of varying lengths, with some being short and punchy while others are longer and more flowing. This creates a sense of rhythm and musicality that is both soothing and melancholic.

Themes

The main theme of the poem is the transience of love. The speaker is mourning the end of a relationship that was once full of passion and promise, but has now fizzled out into nothingness. The title of the poem, "Love Lies Sleeping," is a powerful metaphor that suggests that love is not dead, but simply dormant. This creates a sense of hope that perhaps one day love will awaken again.

Another theme that runs throughout the poem is the power of memory. The speaker is haunted by memories of the past, and these memories are portrayed as both beautiful and painful. The imagery in the poem is often nostalgic, with descriptions of "the lilacs tall and still," "the morning mist," and "the silver willow." These images evoke a sense of longing for a time that has passed, and create a melancholic tone that is both wistful and sad.

Symbols

Nature is a powerful symbol in the poem, representing both the beauty and the cruelty of the world. The lilacs, for example, are a symbol of beauty and innocence, but they are also "tall and still" like tombstones, suggesting that they are also a symbol of death. The morning mist is another powerful symbol, representing the fleeting nature of love and the transience of life itself. The silver willow, with its "trailing hoarlocks," is a symbol of age and wisdom, but also of loneliness and isolation.

Imagery

The imagery in the poem is both vivid and evocative, creating a sense of nostalgia and longing. The lilacs, for example, are described as "spilling their fragrance" and "stirring with the spring," creating a sense of vitality and energy. The morning mist, on the other hand, is described as "blotting out" and "concealing" the landscape, creating a sense of mystery and uncertainty. The silver willow, with its "trailing hoarlocks," is described as "weeping," creating a sense of sadness and despair.

Tone and Mood

The tone of the poem is melancholic and nostalgic, with a sense of sadness and loss pervading throughout. The mood is wistful and contemplative, with the speaker reflecting on the past and pondering what might have been. There is also a sense of resignation in the poem, as if the speaker has come to terms with the fact that love cannot be forced or sustained indefinitely.

Conclusion

"Love Lies Sleeping" is a true masterpiece of poetry, showcasing Elizabeth Bishop's mastery of the craft. Through vivid imagery, powerful metaphors, and a sense of fluidity and movement, Bishop creates a poem that is both evocative and haunting. The themes of transience, memory, and the power of nature are all explored in depth, creating a sense of depth and complexity that is rare in modern poetry. If you are looking for a poem that will touch your heart and stay with you forever, look no further than "Love Lies Sleeping."

Editor 2 Analysis and Explanation

Poetry Love Lies Sleeping: A Masterpiece of Elizabeth Bishop

Elizabeth Bishop is one of the most celebrated poets of the 20th century. Her works are known for their vivid imagery, precise language, and emotional depth. Among her many masterpieces, Poetry Love Lies Sleeping stands out as a shining example of her poetic genius. In this 14-line poem, Bishop captures the essence of love, loss, and memory with remarkable clarity and beauty. In this article, we will analyze and explain the poem in detail, exploring its themes, symbols, and literary devices.

The poem begins with the image of a "great bird" that has "folded its wings" and "gone to sleep." This bird represents love, which has been dormant and inactive for some time. The use of the word "great" suggests that this love was once powerful and all-encompassing, but now it has lost its vitality and energy. The image of the bird "folding its wings" suggests that love has withdrawn and retreated, perhaps due to some external force or circumstance.

The second line of the poem introduces the theme of memory. Bishop writes, "The old mansion sleeps in the sunshine." The "old mansion" represents the past, and the fact that it is sleeping in the sunshine suggests that it is dormant but still present. The use of the word "sunshine" suggests that this past is warm and comforting, but also somewhat nostalgic and melancholic.

The third line of the poem introduces the theme of loss. Bishop writes, "Its garden is a wilderness, a world within a world." The garden represents the memories and emotions associated with love, and the fact that it is now a "wilderness" suggests that it has been abandoned and left to decay. The phrase "a world within a world" suggests that these memories and emotions are still present, but they are isolated and disconnected from the rest of the world.

The fourth line of the poem introduces the theme of time. Bishop writes, "But the heart of the house is slowly beating." The "heart of the house" represents the core of these memories and emotions, and the fact that it is "slowly beating" suggests that they are still alive, but barely. The use of the word "slowly" suggests that time is passing, and these memories and emotions are slowly fading away.

The fifth and sixth lines of the poem introduce the theme of hope. Bishop writes, "The sunlight builds its walls around it, day by day, and the whole world is its garden." The "sunlight" represents hope, and the fact that it is "building walls around" the heart of the house suggests that it is protecting and nurturing these memories and emotions. The phrase "the whole world is its garden" suggests that these memories and emotions are expanding and growing, and that there is hope for their revival.

The seventh and eighth lines of the poem introduce the theme of transformation. Bishop writes, "Yet the heart of the house is still dreaming, still beating." The fact that the heart of the house is "still dreaming" suggests that these memories and emotions are still alive and active, but they are undergoing a transformation. The use of the word "still" suggests that this transformation is ongoing, and that there is still hope for their revival.

The ninth and tenth lines of the poem introduce the theme of renewal. Bishop writes, "Of a new master, a young lover, a new heart." The "new master" and "young lover" represent the possibility of a new love, and the "new heart" represents the possibility of a new beginning. The fact that these possibilities are introduced suggests that there is hope for renewal and revival, even if it is not yet realized.

The eleventh and twelfth lines of the poem introduce the theme of acceptance. Bishop writes, "The heart of the house is a woman, and the woman is alone." The fact that the heart of the house is a woman suggests that it is a metaphor for the poet herself, and the fact that she is alone suggests that she has accepted her current state of being. The use of the word "alone" suggests that she is not lonely, but rather at peace with her solitude.

The thirteenth and fourteenth lines of the poem introduce the theme of closure. Bishop writes, "O, love, why do we leave you so?" The fact that Bishop addresses love directly suggests that she is seeking closure and resolution. The use of the word "we" suggests that she is not alone in this experience, but rather that it is a universal human experience. The fact that she ends the poem with a question suggests that she has not yet found the answer, but that she is still searching.

In terms of literary devices, Bishop employs a number of techniques to create the vivid imagery and emotional depth of the poem. One of the most notable is the use of metaphor, particularly the metaphor of the "heart of the house" to represent the memories and emotions associated with love. Bishop also uses personification, particularly in the image of the "great bird" that has "folded its wings." The use of repetition, particularly the repetition of the phrase "still beating," creates a sense of continuity and ongoing transformation. Finally, Bishop employs a number of sensory details, particularly in the images of the "sunlight" and the "wilderness," to create a vivid and immersive experience for the reader.

In conclusion, Poetry Love Lies Sleeping is a masterpiece of Elizabeth Bishop's poetic genius. Through vivid imagery, precise language, and emotional depth, Bishop captures the essence of love, loss, and memory with remarkable clarity and beauty. The poem explores themes of hope, transformation, renewal, acceptance, and closure, and employs a number of literary devices to create a vivid and immersive experience for the reader. It is a testament to Bishop's skill as a poet, and a timeless work of art that continues to resonate with readers today.

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