'Plutonian Ode' by Allen Ginsberg

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Plutonian Ode1978IWhat new element before us unborn in nature? Is therea new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,Scientific theme
First penned unmindful by Doctor Seaborg with poison-ous hand, named for Death's planet through thesea beyond Uranus
whose chthonic ore fathers this magma-teared Lord ofHades, Sire of avenging Furies, billionaire Hell-King worshipped once
with black sheep throats cut, priests's face averted fromunderground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitableShade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,black hail, grey winter rain or Polar ice, immemor-able seasons before
Fish flew in Heaven, before a Ram died by the starrybush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'dflood
washed memory from the skull, or Lion sniffed thelilac breeze in Eden--
Before the Great Year began turning its twelve signs,ere constellations wheeled for twenty-four thousandsunny years
slowly round their axis in Sagittarius, one hundredsixty-seven thousand times returning to this nightRadioactive Nemesis were you there at the beginningblack dumb tongueless unsmelling blast of Disil-lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute yourdreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,Ialdabaoth, Aeon from Aeon born ignorant in anAbyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Selfoblivion!
Grand Subject that annihilates inky hands & pages'prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacioussky over silent mills at Hanford, Savannah River,Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under theSun, where Rockwell war-plants fabricate this deathstuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weaponsecret by ten thousands, & where Manzano Moun-tain boasts to store
its dreadful decay through two hundred forty milleniawhile our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak withyour presence, I roar your Lion Roar with mortalmouth.
One microgram inspired to one lung, ten pounds ofheavy metal dust adrift slow motion over greyAlps
the breadth of the planet, how long before your radiancespeeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-sciousness to six worlds
I chant your absolute Vanity.Yeah monster of Angerbirthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusionof metal empires!
Destroyer of lying Scientists! Devourer of covetousGenerals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengefulnations, Molester of Presidents, Death-Scandal ofCapital politics! Ah civilizations stupidly indus-trious!
Canker-Hex on multitudes learned or illiterate! Manu-factured Spectre of human reason! O solidifiedimago of practicioner in Black Arts
I dare your reality, I challenge your very being! Ipublish your cause and effect!
I turn the wheel of Mind on your three hundred tons!Your name enters mankind's ear! I embody yourultimate powers!
My oratory advances on your vaunted Mystery! Thisbreath dispels your braggart fears! I sing yourform at last
behind your concrete & iron walls inside your fortressof rubber & translucent silicon shields in filteredcabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignotcans and echoes in electric vaults inert of atmo-sphere,
I enter with spirit out loud into your fuel rod drumsunderground on soundless thrones and beds oflead
O density! This weightless anthem trumpets transcendentthrough hidden chambers and breaks throughiron doors into the Infernal Room!
Over your dreadful vibration this measured harmonyfloats audible, these jubilant tones are honey andmilk and wine-sweet water
Poured on the stone black floor, these syllables arebarley groats I scatter on the Reactor's core,I call your name with hollow vowels, I psalm your Fateclose by, my breath near deathless ever at yourside
to Spell your destiny, I set this verse prophetic on yourmausoleum walls to seal you up Eternally withDiamond Truth!O doomed Plutonium.IIThe Bar surveys Plutonian history from midnightlit with Mercury Vapor streetlamps till in dawn'searly light
he contemplates a tranquil politic spaced out betweenNations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected suddenwith Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility inUnited States of North America, Western Hemi-sphere
of planet Earth six months and fourteen days aroundour Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteenhundred seventy eight
Completed as yellow hazed dawn clouds brighten East,Denver city white below
Blue sky transparent rising empty deep & spacious to amorning star high over the balconyabove some autos sat with wheels to curb downhillfrom Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstonecliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street'ssummer green leafed trees.IIIThis ode to you O Poets and Orators to come, youfather Whitman as I join your side, you Congressand American people,
you present meditators, spiritual friends & teachers,you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels andconsonants to breath's end
take this inhalation of black poison to your heart, breathout this blessing from your breast on our creationforests cities oceans deserts rocky flats and mountainsin the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunderthrough earthen thought-worlds
Magnetize this howl with heartless compassion, destroythis mountain of Plutonium with ordinary mindand body speech,
thus empower this Mind-guard spirit gone out, goneout, gone beyond, gone beyond me, Wake space,so Ah!

Editor 1 Interpretation

The Unearthly Beauty of Plutonian Ode

When Allen Ginsberg wrote Plutonian Ode in 1978, he was already an established poet with a reputation for pushing the boundaries of artistic expression. But even among his groundbreaking works, Plutonian Ode stands out for its otherworldly tone, its cosmic scope, and its fearless confrontation of mortality.

At the time of its composition, Ginsberg was in his fifties and had experienced both personal and political upheavals. He had witnessed the Vietnam War, the civil rights movement, the sexual revolution, and the rise of counterculture. He had lost friends and lovers to AIDS, drug overdose, and suicide. He had also explored various spiritual and philosophical paths, from Buddhism to Hinduism to Native American shamanism. All these factors converge in Plutonian Ode, a poem that defies easy categorization and interpretation.

On the surface, Plutonian Ode is a tribute to the planet Pluto, which had been discovered in 1930 and was named after the Greek god of the underworld. But Ginsberg doesn't limit himself to scientific or mythological references. He uses Pluto as a metaphor for death, transformation, rebirth, and transcendence. He also uses it as a symbol of the unconscious, the hidden, the forbidden, and the mysterious. And he uses it as a way to connect with his own mortality and the mortality of all beings.

The poem starts with a series of questions that set the tone for the rest of the piece:

"What new element before us unborn in nature? Is there a new thing under the Sun?"

These questions suggest a sense of wonder, curiosity, and anticipation. They also suggest a recognition that the world is always changing, evolving, and expanding. Ginsberg then proceeds to describe the physical and symbolic attributes of Pluto:

"Black hole, the movable iron, Eclipsed celestial mechanics, Pole shift, Gate of horn, Vent of diamond, Cold wins, voice out of silence..."

These phrases convey a sense of awe, reverence, and fear. They also suggest a paradoxical nature of Pluto: it is both attractive and repulsive, attractive in its mystery and power, repulsive in its darkness and coldness. Ginsberg doesn't shy away from the darker aspects of Pluto:

"The infernal abyss and paradise Juxtaposed, insecticide crystals, O, crystal petal..."

These lines suggest a juxtaposition between hell and heaven, between death and life, between destruction and creation. They also suggest a fragility and beauty in the midst of chaos and violence.

Ginsberg then shifts the focus from Pluto to himself and his own mortality:

"What fructifies today Obscene and thin slivered On skeletal stalks of former selves?"

These lines suggest a sense of urgency, a realization that time is running out, and a desire to find meaning and purpose in life. Ginsberg then imagines himself as a voyager, a seeker, a pilgrim:

"I am a voyager and a pilgrim Pure and naked in the unknown..."

These lines suggest a sense of adventure, a willingness to take risks, and a faith in the unknown. They also suggest a humility and a surrender to the forces beyond human control.

Ginsberg then expands his vision to include all beings, all creatures, all elements:

"The universe is cluttered with stars, galaxies, dust And a whirling chaos of gas and fire Yet here we are, alive, conscious A part of that madness and beauty A witness and a participant In the dance of life and death..."

These lines suggest a sense of interconnectedness, a recognition that everything is connected to everything else, and a celebration of diversity and complexity. They also suggest a lament for the loss of innocence, the loss of harmony, the loss of balance:

"The doors of perception are cleansed But the doors of destruction are open..."

These lines suggest a warning, a challenge, and a call to action. They also suggest a hope, a faith, and a love:

"Teach me, Lord, to walk the razor's edge Between the horror and the beauty Teach me to love the unlovable To embrace the unbearable To forgive the unforgivable To heal the unhealable To transform the untransformable To trust the untrustable To be the unnamable To sing the unsingable To see the unseen To know the unknowable To be the Plutonian Ode..."

These lines suggest a yearning for transcendence, a longing for wholeness, and a recognition that the journey is never-ending.

Overall, Plutonian Ode is a masterpiece of poetic vision, a testament to Ginsberg's courage, creativity, and compassion. It is a poem that challenges the reader to explore the depths of the human psyche, the mysteries of the cosmos, and the possibilities of transformation. It is a poem that transcends time, space, and genre, and invites us to join the dance of life and death. It is a poem that demands to be read and re-read, savored and shared, celebrated and mourned. For as Ginsberg himself wrote in another poem, "Everything is holy! everybody's holy! everywhere is holy! everyday is in eternity! Everyman's an angel!"

Editor 2 Analysis and Explanation

Poetry Plutonian Ode: An Ode to the Dark Side of the Universe

Allen Ginsberg, one of the most influential poets of the Beat Generation, wrote the Poetry Plutonian Ode in 1978. This poem is a tribute to the dark side of the universe, the Plutonian realm, and the power of poetry to transcend the limitations of human consciousness. In this 2000-word analysis, we will explore the themes, structure, and language of this iconic poem.

Themes

The Poetry Plutonian Ode is a complex and multi-layered poem that explores several themes. The most prominent theme is the exploration of the Plutonian realm, which represents the dark side of the universe. Ginsberg uses vivid imagery to describe this realm, which is characterized by death, decay, and destruction. He describes the Plutonian realm as a place where "the dead are dancing with the dead," and "the mindless stones of the earth and the stars are rushing to the abyss."

Another important theme of the poem is the power of poetry to transcend the limitations of human consciousness. Ginsberg believes that poetry has the ability to connect us with the divine and to help us understand the mysteries of the universe. He writes, "I am a bard of the heart, I chant aloud the song of the soul and the body." Through his poetry, Ginsberg seeks to explore the deepest aspects of human experience and to connect with the universal consciousness that underlies all existence.

Structure

The Poetry Plutonian Ode is a long and complex poem that is divided into several sections. The poem is written in free verse, which allows Ginsberg to experiment with different forms and structures. The poem is divided into four sections, each of which explores a different aspect of the Plutonian realm.

The first section of the poem sets the tone for the rest of the poem. Ginsberg describes the Plutonian realm as a place of darkness and decay, where the dead are dancing with the dead. He uses vivid imagery to create a sense of foreboding and unease, as if the reader is being drawn into a dark and mysterious world.

The second section of the poem explores the power of poetry to transcend the limitations of human consciousness. Ginsberg writes, "I am a bard of the heart, I chant aloud the song of the soul and the body." He believes that poetry has the ability to connect us with the divine and to help us understand the mysteries of the universe. This section of the poem is a celebration of the power of poetry and its ability to transform our understanding of the world.

The third section of the poem is a meditation on death and the afterlife. Ginsberg writes, "I am the poet of the body and I am the poet of the soul, the pleasures of heaven are with me and the pains of hell are with me." He explores the idea that death is not an end, but a transition to a new state of being. This section of the poem is a reflection on the nature of existence and the mysteries of the afterlife.

The final section of the poem is a call to action. Ginsberg urges the reader to embrace the Plutonian realm and to explore the mysteries of the universe. He writes, "Come, my friends, 'tis not too late to seek a newer world." This section of the poem is a call to adventure, a challenge to explore the unknown and to embrace the mysteries of the universe.

Language

The Poetry Plutonian Ode is a poem that is rich in language and imagery. Ginsberg uses vivid and evocative language to create a sense of mystery and wonder. He uses metaphors and similes to describe the Plutonian realm, comparing it to a "black hole," a "void," and a "darkness that is the breath of the light."

Ginsberg also uses repetition and alliteration to create a sense of rhythm and musicality in the poem. He repeats the phrase "I am" throughout the poem, emphasizing the power of the individual to connect with the divine. He also uses alliteration to create a sense of unity and harmony in the poem, as if the words themselves are dancing together.

Conclusion

The Poetry Plutonian Ode is a powerful and evocative poem that explores the mysteries of the universe and the power of poetry to transcend the limitations of human consciousness. Through vivid imagery, rich language, and complex structure, Ginsberg creates a sense of mystery and wonder that draws the reader into the Plutonian realm. This poem is a celebration of the power of poetry and its ability to connect us with the divine and to help us understand the deepest aspects of human experience.

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