'Mesmeric Revelation' by Edgar Allen Poe

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WHATEVER doubt may still envelop the rationale of mesmerism, its startling facts are now almost universally admitted. Of these latter, those who doubt, are your mere doubters by profession- an unprofitable and disreputable tribe. There can be no more absolute waste of time than the attempt to prove, at the present day, that man, by mere exercise of will can so impress his fellow as to cast him into an abnormal condition, of which the phenomena resemble very closely those of death, or at least resemble them more nearly than they do the phenomena of any other normal condition within our cognizance; that, while in this state, the person so impressed employs only with effort, and then feebly, the external organs of sense, yet perceives, with keenly refined perception, and through channels supposed unknown, matters beyond the scope of the physical organs; that, moreover, his intellectual faculties are wonderfully exalted and invigorated; that his sympathies with the person so impressing him are profound, and, finally, that his susceptibility to the impression increases with its frequency, while in the same proportion, the peculiar phenomena elicited are more extended and more pronounced.
I say that these- which are the laws of mesmerism in its general features- it would be supererogation to demonstrate; nor shall I inflict upon my readers so needless a demonstration to-day. My purpose at present is a very different one indeed. I am impelled, even in the teeth of a world of prejudice, to detail without comment, the very remarkable substance of a colloquy occurring between a sleep-waker and myself.
I had long been in the habit of mesmerizing the person in question (Mr. Vankirk), and the usual acute susceptibility and exaltation of the mesmeric perception had supervened. For many months he had been laboring under confirmed phthisis, the more distressing effects of which had been relieved by my manipulations; and on the night of Wednesday, the fifteenth instant, I was summoned to his bedside.
The invalid was suffering with acute pain in the region of the heart, and breathed with great difficulty, having all the ordinary symptoms of asthma. In spasms such as these he had usually found relief from the application of mustard to the nervous centres, but to-night this had been attempted in vain.
As I entered his room he greeted me with a cheerful smile, and although evidently in much bodily pain, appeared to be, mentally, quite at ease.
"I sent for you to-night," he said, "not so much to administer to my bodily ailment, as to satisfy me concerning certain physical impressions which, of late, have occasioned me much anxiety and surprise. I need not tell you how skeptical I have hitherto been on the topic of the soul's immortality. I cannot deny that there has always existed, as if in that very soul which I have been denying, a vague half-sentiment of its own existence. But this half-sentiment at no time amounted to conviction. With it my reason had nothing to do. All attempts at logical inquiry resulted, indeed, in leaving me more sceptical than before. I had been advised to study Cousin. I studied him in his own works as well as in those of his European and American echoes. The 'Charles Elwood' of Mr. Brownson for example, was placed in my hands. I read it with profound attention. Throughout I found it logical but the portions which were not merely logical were unhappily the initial arguments of the disbelieving hero of the book. In his summing up it seemed evident to me that the reasoner had not even succeeded in convincing himself. His end had plainly forgotten his beginning, like the government of Trinculo. In short, I was not long in perceiving that if man is to be intellectually convinced of his own immortality, he will never be so convinced by the mere abstractions which have been so long the fashion of the moralists of England, of France, and of Germany. Abstractions may amuse and exercise, but take no hold on the mind. Here upon earth, at least, philosophy, I am persuaded, will always in vain call upon us to look upon qualities as things. The will may assent- the soul- the intellect, never.
"I repeat, then, that I only half felt, and never intellectually believed. But latterly there has been a certain deepening of the feeling, until it has come so nearly to resemble the acquiesence of reason, that I find it difficult to distinguish the two. I am enabled, too, plainly to trace this effect to the mesmeric influence. I cannot better explain my meaning than by the hypothesis that the mesmeric exaltation enables me to perceive a train of ratiocination which, in my abnormal existence, convinces, but which, in full accordance with the mesmeric phenomena, does not extend, except through its effect, into my normal condition. In sleep-waking, the reasoning and its conclusion- the cause and its effect- are present together. In my natural state, the cause vanishes, the effect only, and perhaps only partially, remains.
"These considerations have led me to think that some good results might ensue from a series of well-directed questions propounded to me while mesmerized. You have often observed the profound self-cognizance evinced by the sleep-waker- the extensive knowledge he displays upon all points relating to the mesmeric condition itself, and from this self-cognizance may be deduced hints for the proper conduct of a catechism."
I consented of course to make this experiment. A few passes threw Mr. Vankirk into the mesmeric sleep. His breathing became immediately more easy, and he seemed to suffer no physical uneasiness. The following conversation then ensued:-V. in the dialogue representing the patient, and P. myself.
P. Are you asleep?
V. Yes- no; I would rather sleep more soundly.
P. [After a few more passes.] Do you sleep now?
V. Yes.
P. How do you think your present illness will result?
V. [After a long hesitation and speaking as if with effort.] I must die.
P. Does the idea of death afflict you?
V. [Very quickly.] No- no!
P. Are you pleased with the prospect?
V. If I were awake I should like to die, but now it is no matter. The mesmeric condition is so near death as to content me.
P. I wish you would explain yourself, Mr. Vankirk.
V. I am willing to do so, but it requires more effort than I feel able to make. You do not question me properly.
P. What then shall I ask?
V. You must begin at the beginning.
P. The beginning! But where is the beginning?
V. You know that the beginning is GOD. [This was said in a low, fluctuating tone, and with every sign of the most profound veneration.]
P. What, then, is God?
V. [Hesitating for many minutes.] I cannot tell.
P. Is not God spirit?
V. While I was awake I knew what you meant by "spirit," but now it seems only a word- such, for instance, as truth, beauty- a quality, I mean.
P. Is not God immaterial?
V. There is no immateriality- it is a mere word. That which is not matter, is not at all- unless qualities are things.
P. Is God, then, material?
V. No. [This reply startled me very much.]
P. What, then, is he?
V. [After a long pause, and mutteringly.] I see- but it is a thing difficult to tell. [Another long pause.] He is not spirit, for he exists. Nor is he matter, as you understand it. But there are gradations of matter of which man knows nothing; the grosser impelling the finer, the finer pervading the grosser. The atmosphere, for example, impels the electric principle, while the electric principle permeates the atmosphere. These gradations of matter increase in rarity or fineness until we arrive at a matter unparticled- without particles- indivisible-one, and here the law of impulsion and permeation is modified. The ultimate or unparticled matter not only permeates all things, but impels all things; and thus is all things within itself. This matter is God. What men attempt to embody in the word "thought," is this matter in motion.
P. The metaphysicians maintain that all action is reducible to motion and thinking, and that the latter is the origin of the former.
V. Yes; and I now see the confusion of idea. Motion is the action of mind, not of thinking. The unparticled matter, or God, in quiescence is (as nearly as we can conceive it) what men call mind. And the power of self-movement (equivalent in effect to human volition) is, in the unparticled matter, the result of its unity and omniprevalence; how, I know not, and now clearly see that I shall never know. But the unparticled matter, set in motion by a law or quality existing within itself, is thinking.
P. Can you give me no more precise idea of what you term the unparticled matter?
V. The matters of which man is cognizant escape the senses in gradation. We have, for example, a metal, a piece of wood, a drop of water, the atmosphere, a gas, caloric, electricity, the luminiferous ether. Now, we call all these things matter, and embrace all matter in one general definition; but in spite of this, there can be no two ideas more essentially distinct than that which we attach to a metal, and that which we attach to the luminiferous ether. When we reach the latter, we feel an almost irresistible inclination to class it with spirit, or with nihilty. The only consideration which restrains us is our conception of its atomic constitution; and here, even, we have to seek aid from our notion of an atom, as something possessing in infinite minuteness, solidity, palpability, weight. Destroy the idea of the atomic constitution and we should no longer be able to regard the ether as an entity, or, at least, as matter. For want of a better word we might term it spirit. Take, now, a step beyond the luminiferous ether- conceive a matter as much more rare than the ether, as this ether is more rare than the metal, and we arrive at once (in spite of all the school dogmas) at a unique mass- an unparticled matter. For although we may admit infinite littleness in the atoms themselves, the infinitude of littleness in the spaces between them is an absurdity. There will be a point- there will be a degree of rarity at which, if the atoms are sufficiently numerous, the interspaces must vanish, and the mass absolutely coalesce. But the consideration of the atomic constitution being now taken away, the nature of the mass inevitably glides into what we conceive of spirit. It is clear, however, that it is as fully matter as before. The truth is, it is impossible to conceive spirit since it is impossible to imagine what is not. When we flatter ourselves that we have formed its conception, we have merely deceived our understanding by the consideration of infinitely rarefied matter.
P. There seems to me an insurmountable objection to the idea of absolute coalescence;- and that is the very slight resistance experienced by the heavenly bodies in their revolutions through space- a resistance now ascertained, it is true, to exist in some degree, but which is, nevertheless, so slight as to have been quite overlooked by the sagacity even of Newton. We know that the resistance of bodies is, chiefly, in proportion to their density. Absolute coalescence is absolute density. Where there are no interspaces, there can be no yielding. An ether, absolutely dense, would put an infinitely more effectual stop to the progress of a star than would an ether of adamant or of iron.
V. Your objection is answered with an ease which is nearly in the ratio of its apparent unanswerability.- As regards the progress of the star, it can make no difference whether the star passes through the ether or the ether through it. There is no astronomical error more unaccountable than that which reconciles the known retardation of the comets with the idea of their passage through an ether, for, however rare this ether be supposed, it would put a stop to all sidereal revolution in a very far briefer period than has been admitted by those astronomers who have endeavored to slur over a point which they found it impossible to comprehend. The retardation actually experienced is, on the other hand, about that which might be expected from the friction of the ether in the instantaneous passage through the orb. In the one case, the retarding force is momentary and complete within itself- in the other it is endlessly accumulative.
P. But in all this- in this identification of mere matter with God- is there nothing of irreverence? [I was forced to repeat this question before the sleep-waker fully comprehended my meaning.]
V. Can you say why matter should be less reverenced than mind? But you forget that the matter of which "mind" or "spirit" of the schools, so far as regards its high capacities, and is, moreover, the "matter" of these schools at the same time. God, with all the powers attributed to spirit, is but the perfection of matter.
P. You assert, then, that the unparticled matter, in motion, is thought.
V. In general, this motion is the universal thought of the universal mind. This thought creates. All created things are but the thoughts of God.
P. You say, "in general."
V. Yes. The universal mind is God. For new individualities, matter is necessary.
P. But you now speak of "mind" and "matter" as do the metaphysicians.
V. Yes- to avoid confusion. When I say "mind," I mean the unparticled or ultimate matter, by "matter," I intend all else.
P. You were saying that "for new individualities matter is necessary."
V. Yes; for mind, existing unincorporate, is merely God. To create individual, thinking beings, it was necessary to incarnate portions of the divine mind. Thus man is individualized. Divested of corporate investiture, he were God. Now the particular motion of the incarnated portions of the unparticled matter is the thought of man; as the motion of the whole is that of God.
P. You say that divested of the body man will be God?
V. [After much hesitation.] I could not have said this; it is an absurdity.
P. [Referring to my notes.] You did say that "divested of corporate investiture man were God."
V. And this is true. Man thus divested would be God- would be unindividualized. But he can never be thus divested- at least never will be- else we must imagine an action of God returning upon itself- a purposeless and futile action. Man is a creature. Creatures are thoughts of God. It is the nature of thought to be irrevocable.
P. I do not comprehend. You say that man will never put off the body?
V. I say that he will never be bodiless.
P. Explain.
V. There are two bodies- the rudimental and the complete, corresponding with the two conditions of the worm and the butterfly. What we call "death," is but the painful metamorphosis. Our present incarnation is progressive, preparatory, temporary. Our future is perfected, ultimate, immortal. The ultimate life is the full design.
P. But of the worm's metamorphosis we are palpably cognizant.
V. We, certainly- but not the worm. The matter of which our rudimental body is composed, is within the ken of the organs of that body; or, more distinctly, our rudimental organs are adapted to the matter of which is formed the rudimental body, but not to that of which the ultimate is composed. The ultimate body thus escapes our rudimental senses, and we perceive only the shell which falls, in decaying, from the inner form, not that inner form itself; but this inner form as well as the shell, is appreciable by those who have already acquired the ultimate life.
P. You have often said that the mesmeric state very nearly resembles death. How is this?
V. When I say that it resembles death, I mean that it resembles the ultimate life; for when I am entranced the senses of my rudimental life are in abeyance and I perceive external things directly, without organs, through a medium which I shall employ in the ultimate, unorganized life.
P. Unorganized?
V. Yes; organs are contrivances by which the individual is brought into sensible relation with particular classes and forms of matter, to the exclusion of other classes and forms. The organs of man are adapted to his rudimental condition, and to that only; his ultimate condition, being unorganized, is of unlimited comprehension in all points but one- the nature of the volition of God- that is to say, the motion of the unparticled matter. You may have a distinct idea of the ultimate body by conceiving it to be entire brain. This it is not, but a conception of this nature will bring you near a comprehension of what it is. A luminous body imparts vibration to the luminiferous ether. The vibrations generate similar ones within the retina; these again communicate similar ones to the optic nerve. The nerve conveys similar ones to the brain; the brain, also, similar ones to the unparticled matter which permeates it. The motion of this latter is thought, of which perception is the first undulation. This is the mode by which the mind of the rudimental life communicates with the external world; and this external world is, to the rudimental life, limited, through the idiosyncrasy of its organs. But in the ultimate, unorganized life, the external world reaches the whole body, (which is of a substance having affinity to brain, as I have said,) with no other intervention than that of an infinitely rarer ether than even the luminiferous; and to this ether- in unison with it- the whole body vibrates, setting in motion the unparticled matter which permeates it. It is to the absence of idiosyncratic organs, therefore, that we must attribute the nearly unlimited perception of the ultimate life. To rudimental beings, organs are the cages necessary to confine them until fledged.
P. You speak of rudimental "beings." Are there other rudimental thinking beings than man?
V. The multitudinous conglomeration of rare matter into nebulae, planets, suns, and other bodies which are neither nebulae, suns, nor planets, is for the sole purpose of supplying pabulum for the idiosyncrasy of the organs of an infinity of rudimental beings. But for the necessity of the rudimental, prior to the ultimate life, there would have been no bodies such as these. Each of these is tenanted by a distinct variety of organic rudimental thinking creatures. In all, the organs vary with the features of the place tenanted. At death, or metamorphosis, these creatures, enjoying the ultimate life- immortality- and cognizant of all secrets but the one, act all things and pass every where by mere volition:- indwelling, not the stars, which to us seem the sole palpabilities, and for the accommodation of which we blindly deem space created- but that space itself- that infinity of which the truly substantive vastness swallows up the star-shadows- blotting them out as non-entities from the perception of the angels.
P. You say that "but for the necessity of the rudimental life, there would have been no stars." But why this necessity?
V. In the inorganic life, as well as in the inorganic matter generally, there is nothing to impede the action of one simple unique law- the Divine Volition. With the view of producing impediment, the organic life and matter (complex, substantial and law- encumbered) were contrived.
P. But again- why need this impediment have been produced?
V. The result of law inviolate is perfection- right- negative happiness. The result of law violate is imperfection, wrong, positive pain. Through the impediments afforded by the number, complexity, and substantiality of the laws of organic life and matter, the violation of law is rendered, to a certain extent, practicable. Thus pain, which is the inorganic life is impossible, is possible in the organic.
P. But to what good end is pain thus rendered possible?
V. All things are either good or bad by comparison. A sufficient analysis will show that pleasure in all cases, is but the contrast of pain. Positive pleasure is a mere idea. To be happy at any one point we must have suffered at the same. Never to suffer would have been never to have been blessed. But it has been shown that, in the inorganic life, pain cannot be; thus the necessity for the organic. The pain of the primitive life of Earth, is the sole basis of the bliss of the ultimate life in Heaven.
P. Still there is one of your expressions which I find it impossible to comprehend- "the truly substantive vastness of infinity."
V. This, probably, is because you have no sufficiently generic conception of the term "substance" itself. We must not regard it as a quality, but as a sentiment:- it is the perception, in thinking beings, of the adaptation of matter to their organization. There are many things on the Earth, which would be nihility to the inhabitants of Venus- many things visible and tangible in Venus, which we could not be brought to appreciate as existing at all. But to the inorganic beings- to the angels- the whole of the unparticled matter is substance; that is to say, the whole of what we term "space," is to them the truest substantiality;- the stars, meantime, through what we consider their materiality, escaping the angelic sense, just in proportion as the unparticled matter, through what we consider its immateriality, eludes the organic.
As the sleep-waker pronounced these latter words, in a feeble tone, I observed on his countenance a singular expression, which somewhat alarmed me, and induced me to awake him at once. No sooner had I done this than, with a bright smile irradiating all his features, he fell back upon his pillow and expired. I noticed that in less than a minute afterward his corpse had all the stern rigidity of stone. His brow was of the coldness of ice. Thus, ordinarily, should it have appeared, only after long pressure from Azrael's hand. Had the sleep-waker, indeed, during the latter portion of his discourse, been addressing me from out the regions of the shadows?

Editor 1 Interpretation

Mesmeric Revelation by Edgar Allan Poe

Edgar Allan Poe is a renowned American writer whose works have stood the test of time, and his story "Mesmeric Revelation" is no exception. The story, published in 1849, is a fascinating exploration of the power of the mind and the mysteries of the universe. In this 4000-word literary criticism and interpretation, we will delve into the deeper meanings behind this classic tale and explore its relevance to contemporary readers.

Summary of the story

"Mesmeric Revelation" is a short story about a man who is fascinated by the power of mesmerism, a technique used to induce a trance-like state in a subject. The protagonist, who remains unnamed throughout the story, experiments with mesmerism and discovers a profound truth about the universe that he believes has been hidden from humanity for centuries. He describes this truth as a "shadow," an invisible force that guides the universe and controls the fate of all living things. The protagonist's obsession with this shadow leads him on a journey of self-discovery and enlightenment.

Analysis of the story

One of the most striking aspects of "Mesmeric Revelation" is its exploration of the power of the mind. The protagonist is deeply interested in mesmerism, and he spends much of the story experimenting with different techniques to induce a trance-like state in himself. Through these experiments, he discovers a profound truth about the universe that he believes has been hidden from humanity for centuries. This truth, which he calls the "shadow," is an invisible force that guides the universe and controls the fate of all living things.

The protagonist's fascination with the shadow is closely tied to his own personal journey of self-discovery. As he delves deeper into the mysteries of the universe, he begins to question his own identity and purpose in life. He becomes increasingly isolated from society, and his obsession with the shadow leads him down a dangerous path of self-destruction.

Poe's use of language is particularly effective in "Mesmeric Revelation." His descriptions of the protagonist's trance-like states are vivid and evocative, and they help to create a sense of otherworldliness that is essential to the story's themes. For example, when the protagonist first enters into a mesmeric state, Poe writes: "It was not a very distinct or obtrusive consciousness; but my mind was running wildly, hither and thither, in a shadowy and confused conception of all that I had ever read, heard, seen, or had in any way known."

This passage effectively conveys the sense of disorientation and confusion that the protagonist experiences while in a trance-like state. The language is poetic and dreamlike, which helps to create a sense of unreality that is essential to the story's themes.

Another important theme in "Mesmeric Revelation" is the idea of hidden knowledge. The protagonist believes that the shadow, which he has discovered through his experiments with mesmerism, is a truth that has been hidden from humanity for centuries. He becomes obsessed with this knowledge, and he begins to see the shadow as a kind of divine force that controls the fate of all living things.

This theme of hidden knowledge is particularly relevant to contemporary readers, who live in an age where information is more accessible than ever before. In our modern world, it is easy to become overwhelmed by the sheer amount of information that is available to us. "Mesmeric Revelation" reminds us that there are still mysteries in the universe that have yet to be uncovered, and that there is always something new to discover.

Interpretation of the story

So what is the deeper meaning behind "Mesmeric Revelation"? At its core, the story is a meditation on the power of the mind and the mysteries of the universe. The protagonist's obsession with the shadow is a metaphor for our own search for meaning and purpose in life. We all have a desire to understand the world around us, and to discover the secrets that lie hidden beneath the surface.

Furthermore, the story is also a cautionary tale about the dangers of obsession. The protagonist becomes so consumed with his search for the truth that he loses touch with reality and becomes isolated from society. His obsession ultimately leads him down a dangerous path of self-destruction.

In this sense, "Mesmeric Revelation" can be seen as a warning against the dangers of becoming too fixated on a single idea or belief. It reminds us that there is a fine line between curiosity and obsession, and that we must be careful not to cross that line.

Conclusion

In conclusion, "Mesmeric Revelation" is a powerful and thought-provoking exploration of the power of the mind and the mysteries of the universe. Poe's use of language is particularly effective in creating a sense of otherworldliness that is essential to the story's themes. The story is a reminder that there are still mysteries in the universe that have yet to be uncovered, and that there is always something new to discover.

At the same time, "Mesmeric Revelation" is also a cautionary tale about the dangers of obsession. The protagonist's descent into madness serves as a warning against the dangers of becoming too fixated on a single idea or belief. In this sense, the story has timeless relevance, and its themes are just as relevant today as they were when it was first published over 170 years ago.

Editor 2 Analysis and Explanation

Edgar Allan Poe is a name that needs no introduction. The master of macabre and the father of the modern detective story, Poe was a literary genius who left an indelible mark on the world of literature. Among his many works, one that stands out is the classic Prose Mesmeric Revelation. This short story, published in 1844, is a masterpiece of psychological horror that explores the depths of the human mind. In this article, we will take a detailed look at this classic work of literature and analyze its themes, motifs, and symbolism.

The story begins with the narrator, who is suffering from a severe illness, seeking the help of a mesmerist. The mesmerist, who is none other than Poe himself, agrees to help the narrator and puts him under a trance. What follows is a journey into the depths of the narrator's mind, where he experiences a series of vivid and terrifying hallucinations.

The first thing that strikes the reader about Prose Mesmeric Revelation is its vivid and descriptive language. Poe's writing is so powerful that it transports the reader into the narrator's mind, making them experience the same hallucinations and fears that he does. The use of sensory details, such as the sound of the narrator's heartbeat and the smell of the mesmerist's incense, adds to the immersive quality of the story.

One of the central themes of Prose Mesmeric Revelation is the power of the mind. The story explores the idea that the mind has the ability to create its own reality, independent of the external world. This is evident in the narrator's hallucinations, which are so vivid and real that he believes them to be true. The mesmerist, too, acknowledges the power of the mind, stating that "the mind is the ruler of the body."

Another theme that runs throughout the story is the idea of duality. The narrator's mind is split into two parts, the conscious and the unconscious. The conscious mind is represented by the narrator's rational thoughts and beliefs, while the unconscious is represented by his fears and desires. The two parts of the mind are constantly at war with each other, with the unconscious trying to take over the conscious. This is evident in the narrator's hallucinations, which are a manifestation of his unconscious desires.

Symbolism is also an important aspect of Prose Mesmeric Revelation. The mesmerist's incense, for example, represents the power of suggestion. The narrator's illness, on the other hand, represents the weakness of the body and the vulnerability of the mind. The use of the number three, which appears throughout the story, represents the three parts of the mind: the conscious, the unconscious, and the superconscious.

One of the most striking aspects of Prose Mesmeric Revelation is its use of horror. Poe was a master of horror, and this story is no exception. The hallucinations that the narrator experiences are terrifying and grotesque, with images of death, decay, and madness. The use of horror is not just for shock value, however. It serves a deeper purpose, highlighting the fragility of the human mind and the power of the unconscious.

In conclusion, Prose Mesmeric Revelation is a masterpiece of psychological horror that explores the depths of the human mind. Through its vivid language, powerful themes, and striking symbolism, it transports the reader into the narrator's mind, making them experience the same fears and hallucinations that he does. It is a testament to Poe's genius as a writer and his ability to tap into the darkest corners of the human psyche.

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