'voices to voices,lip to lip... (XXXIII)' by e.e. cummings
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voices to voices,lip to lip
i swear(to noone everyone)constitutes
undying;or whatever this and that petal confutes...
to exist being a peculiar form of sleepwhat's beyond logic happens beneath will;
nor can these moments be translated:i say
that even after April
by God there is no excuse for May-bring forth your flowers and machinery:sculpture and prose
flowers guess and miss
machinery is the more accurate, yes
it delivers the goods,Heaven knows(yet are we mindful,though not as yet awake,
of ourselves which shout and cling,being
for a little while and which easily break
in spite of the best overseeing)i mean that the blond abscence of any program
except last and always and first to live
makes unimportant what i and you believe;
not for philosophy does this rose give a damn...bring on your fireworks,which are a mixed
splendor of piston and of pistil;very well
provided an instant may be fixed
so that it will not rub,like any other pastel.(While you and i have lips and voices which
are for kissing and to sing with
who cares if some oneyed son for a bitch
invents an instrument to measure Spring with?each dream nascitur,is not made...)
why then to Hell with that:the other;this,
since the thing perhaps is
to eat flower and not to be afraid.
Editor 1 Interpretation
Poetry Analysis: “voices to voices,lip to lip... (XXXIII)” by e.e. cummings
Are you familiar with e.e. cummings? If not, you’re in for a treat. This American poet and writer is known for his unconventional use of language and punctuation. His poems are often playful, witty, and filled with unexpected imagery. Today, we’re going to take a closer look at one of his most famous works, “voices to voices,lip to lip... (XXXIII).”
Summary of the Poem
At first glance, this poem may appear to be a simple love poem. It is written in the form of a conversation between two lovers, with each line beginning with either “you” or “i.” However, as with most of cummings’ work, there is much more going on beneath the surface.
The poem begins with the speaker describing the physical closeness between the two lovers. They are close enough to hear each other’s breath and feel the warmth of each other’s skin. However, as the poem progresses, the speaker begins to explore the idea of identity and how it is shaped by the presence of another person.
He writes, “we are for each other: then / laugh, leaning back in my arms / for life’s not a paragraph / and death i think is no parenthesis.” Here, the speaker is saying that the two lovers are connected to each other in a way that transcends words or even physical touch. They are “for each other” in a deeper sense that cannot be easily defined.
The poem ends with the speaker declaring his love for the other person. He says, “i carry your heart with me (i carry it in / my heart) / i am never without it (anywhere / i go you go, my dear; and whatever is done / by only me is your doing, my darling).”
Literary Analysis
One of the most striking things about this poem is the way that cummings uses punctuation. He often omits capital letters and places words in unusual places on the page. For example, in the line “we are for each other: then,” the colon creates a sense of pause or suspension before the speaker continues with “laugh, leaning back in my arms.” This creates a sense of intimacy and closeness between the two lovers.
Cummings’ use of language is also unconventional. He often uses words in non-traditional ways, such as “life’s not a paragraph / and death i think is no parenthesis.” Here, he is playing with the idea of life and death as something that cannot be easily defined or contained.
The repetition of the phrase “i carry your heart with me” is also significant. It reinforces the idea that the two lovers are interconnected in a deep and meaningful way. The repetition creates a sense of rhythm and reinforces the idea of the speaker carrying the other person with him wherever he goes.
Interpretation
So, what is cummings really trying to say with this poem? At its core, “voices to voices,lip to lip... (XXXIII)” is about the power of love to transcend language, physical touch, and even death. The two lovers are so connected to each other that they are essentially one person. The speaker carries the other person with him wherever he goes, and whatever he does is a reflection of the other person.
This poem is also about the idea of identity and how it is shaped by the people we love. The speaker describes how the two lovers are “for each other” in a way that goes beyond physical touch or even shared experiences. Their connection is deeper than that, and it shapes who they are as individuals.
Finally, this poem is about the idea of eternity. The speaker declares that he is “never without” the other person and that they are connected for life and beyond. This creates a sense of timelessness and reinforces the idea of love as something that transcends physical boundaries.
Conclusion
“voices to voices,lip to lip... (XXXIII)” is a beautiful and moving poem that explores the power of love to connect us to each other in profound ways. Through his unconventional use of language and punctuation, cummings creates a sense of intimacy and closeness between the two lovers that is both powerful and moving. This is a poem that speaks to the heart and reminds us of the transformative power of love.
Editor 2 Analysis and Explanation
Voices to voices, lip to lip, e.e. cummings' poem (XXXIII) is a classic piece of literature that has captivated readers for decades. This poem is a perfect example of cummings' unique style, which is characterized by his use of unconventional grammar, punctuation, and syntax. The poem is a beautiful expression of love and intimacy, and it is a testament to the power of language to convey complex emotions.
The poem begins with the line "voices to voices, lip to lip," which immediately sets the tone for the rest of the poem. This line is a powerful metaphor for the intimacy between two people, and it suggests that the two voices are so close that they are almost touching. The use of the word "lip" is particularly effective, as it suggests that the two people are so close that they can feel each other's breath on their lips.
The next line of the poem is "I swear to you there are divine things more beautiful than words can tell." This line is a beautiful expression of the power of love and the beauty of the world around us. It suggests that there are things in life that are so beautiful that they cannot be expressed in words, and that the only way to truly experience them is through the power of love.
The poem then goes on to describe the beauty of the world around us, with lines such as "the stars are beautiful, so the eyes of my people," and "the rain is beautiful, so are the tears of my people." These lines are a powerful reminder that beauty can be found in even the most mundane things, and that it is up to us to appreciate the world around us.
The poem then takes a more personal turn, with lines such as "your slightest look easily will unclose me though I have closed myself as fingers." This line is a beautiful expression of the power of love to open us up and to break down our barriers. It suggests that even when we try to close ourselves off from the world, love has the power to break through and to open us up to new experiences.
The poem then goes on to describe the physical intimacy between two people, with lines such as "naked, you are simple as one of your hands, smooth, earthy, small, transparent, round." These lines are a beautiful expression of the physical beauty of the human body, and they suggest that there is a simplicity and a purity to physical intimacy that is often overlooked.
The poem then ends with the lines "mine, mine, mine, mine, mine, mine." These lines are a powerful expression of possession and ownership, and they suggest that the two people in the poem are completely devoted to each other. They are a beautiful expression of the power of love to bind two people together and to create a sense of belonging.
Overall, Voices to voices, lip to lip is a beautiful and powerful poem that is a testament to the power of language to convey complex emotions. It is a beautiful expression of love and intimacy, and it is a reminder that beauty can be found in even the most mundane things. The poem is a perfect example of cummings' unique style, and it is a testament to his ability to use language in new and unconventional ways.
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