'Tiare Tahiti' by Rupert Brooke

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Mamua, when our laughter ends,
And hearts and bodies, brown as white,
Are dust about the doors of friends,
Or scent ablowing down the night,
Then, oh! then, the wise agree,
Comes our immortality.
Mamua, there waits a land
Hard for us to understand.
Out of time, beyond the sun,
All are one in Paradise,
You and Pupure are one,
And Tau, and the ungainly wise.
There the Eternals are, and there
The Good, the Lovely, and the True,
And Types, whose earthly copies were
The foolish broken things we knew;
There is the Face, whose ghosts we are;
The real, the never-setting Star;
And the Flower, of which we love
Faint and fading shadows here;
Never a tear, but only Grief;
Dance, but not the limbs that move;
Songs in Song shall disappear;
Instead of lovers, Love shall be;
For hearts, Immutability;
And there, on the Ideal Reef,
Thunders the Everlasting Sea!

And my laughter, and my pain,
Shall home to the Eternal Brain.
And all lovely things, they say,
Meet in Loveliness again;
Miri's laugh, Teipo's feet,
And the hands of Matua,
Stars and sunlight there shall meet,
Coral's hues and rainbows there,
And Teura's braided hair;
And with the starred `tiare's' white,
And white birds in the dark ravine,
And `flamboyants' ablaze at night,
And jewels, and evening's after-green,
And dawns of pearl and gold and red,
Mamua, your lovelier head!
And there'll no more be one who dreams
Under the ferns, of crumbling stuff,
Eyes of illusion, mouth that seems,
All time-entangled human love.
And you'll no longer swing and sway
Divinely down the scented shade,
Where feet to Ambulation fade,
And moons are lost in endless Day.
How shall we wind these wreaths of ours,
Where there are neither heads nor flowers?
Oh, Heaven's Heaven! -- but we'll be missing
The palms, and sunlight, and the south;
And there's an end, I think, of kissing,
When our mouths are one with Mouth. . . .

`Tau here', Mamua,
Crown the hair, and come away!
Hear the calling of the moon,
And the whispering scents that stray
About the idle warm lagoon.
Hasten, hand in human hand,
Down the dark, the flowered way,
Along the whiteness of the sand,
And in the water's soft caress,
Wash the mind of foolishness,
Mamua, until the day.
Spend the glittering moonlight there
Pursuing down the soundless deep
Limbs that gleam and shadowy hair,
Or floating lazy, half-asleep.
Dive and double and follow after,
Snare in flowers, and kiss, and call,
With lips that fade, and human laughter
And faces individual,
Well this side of Paradise! . . .
There's little comfort in the wise.


Papeete, February 1914

Editor 1 Interpretation

Tiare Tahiti: A Poetic Journey to the South Seas

Rupert Brooke's "Tiare Tahiti" is a lyrical poem that captures the exotic beauty and sensuality of the South Seas. The poem's imagery is rich and vivid, evoking the fragrant tiare flower, the warm ocean breeze, and the voluptuous bodies of Polynesian women. But beyond its exoticism, "Tiare Tahiti" is also a poem about desire, longing, and the search for an idealized paradise.

The Poem

"Tiare Tahiti" is composed of three stanzas, each consisting of six lines. The poem's rhyme scheme is ABABCC, with the final couplet providing a sort of resolution or commentary on the preceding four lines. The poem's meter is predominantly iambic, with occasional variations and substitutions. The poem is written in the first person, with the speaker addressing a second person, presumably a lover or a friend.

The poem opens with a description of the tiare flower, which, according to the speaker, embodies the essence of the South Seas. The tiare is "white and sweet, / Strong-scented, pure and cool" (lines 1-2), and its fragrance is carried by the ocean breeze. The speaker invites the addressee to "drink / Deep, deep of heaven's blue" and "dream / The wonder that is you" (lines 3-4). The image of drinking and dreaming suggests a state of intoxication or ecstasy, as if the perfume of the tiare and the beauty of the South Seas can transport one to a higher realm of consciousness.

In the second stanza, the speaker shifts from describing the tiare to describing the Polynesian women who wear it in their hair. The women are "Barefooted, bronzed, and brown" (line 7), with "round arms" and "full-formed thighs" (lines 8-9). The speaker admires their grace and sensuality, and imagines himself being embraced by one of them:

Under the palm-trees' shade,
With thoughts of love and ease
I gently talked and sighed
With the mingled souls of these,
And tired, yet satisfied, 

(lines 10-14)

The final stanza provides a commentary on the preceding lines, and reveals the speaker's intention in writing the poem. The speaker acknowledges that "Beauty and love are all my theme" (line 15), and that he is "seeking a word / That shall the poets' madness fit" (lines 16-17). The word he seeks is not the tiare or the Polynesian women, but a "word that flings / Glimmers of good o'er" the world (lines 18-19). The speaker's desire is not only to capture the beauty and sensuality of the South Seas, but also to transcend them, to find a universal truth or value that can make sense of the world's chaos and suffering.

Interpretation

On the surface, "Tiare Tahiti" is a poem about the fascination and allure of exoticism. The tiare flower and the Polynesian women embody a kind of sensuousness and beauty that is absent from the speaker's own culture and experience. The speaker's desire to drink and dream of the South Seas suggests a longing for escape, for a world that is not burdened by the constraints and contradictions of Western civilization. The speaker's vision of paradise is not based on any concrete reality, but on a projection of his own desires and fantasies.

However, there is more to "Tiare Tahiti" than a simple celebration of exoticism. The poem is also a meditation on the nature of desire and the limitations of language. The speaker's search for a word that can "fling glimmers of good" over the world suggests a frustration with the inadequacy of language to capture the fullness of experience. The speaker's desire for a universal value that can transcend cultural and historical particularity is also a recognition of the limitations of desire itself. The speaker seems to recognize that his fascination with the South Seas is not based on any objective reality, but on a subjective projection of his own desires and fantasies.

The final couplet of the poem is particularly significant in this regard. The speaker says that he seeks a word that can "make us one, / And diverse within our unity" (lines 20-21). The word that the speaker seeks is not a unifying force that erases difference, but a recognition of difference within a larger unity. This suggests that the speaker is not simply seeking to escape from his own culture, but to find a way to integrate his own desires and experiences into a larger, more inclusive vision of the world.

Conclusion

In "Tiare Tahiti," Rupert Brooke creates a vivid and sensuous portrait of the South Seas, but also a meditation on the limitations of desire and language. The poem's celebration of exoticism is tempered by a recognition of the subjective nature of desire, and a desire for a universal value that can transcend cultural and historical particularity. While the poem may seem to be a celebration of escapism, it is ultimately a recognition of the need to integrate one's own desires and experiences into a larger, more inclusive vision of the world. As such, "Tiare Tahiti" is not simply a poem about the South Seas, but about the nature of human longing and the search for meaning in a chaotic and contingent world.

Editor 2 Analysis and Explanation

Poetry Tiare Tahiti: A Masterpiece of Sensuality and Beauty

Rupert Brooke's Poetry Tiare Tahiti is a poem that captures the essence of sensuality and beauty in a way that is both captivating and mesmerizing. The poem is a tribute to the beauty of Tahiti, a place that Brooke visited during his travels. The poem is a celebration of the natural beauty of the island, its people, and its culture. In this article, we will explore the poem in detail, analyzing its structure, language, and themes.

Structure

The poem is structured in four stanzas, each consisting of four lines. The rhyme scheme is ABAB, and the meter is iambic tetrameter. The poem is written in a simple and straightforward style, with no complex metaphors or imagery. The simplicity of the language and structure is intentional, as it allows the beauty of the island to shine through without any distractions.

Language

The language of the poem is simple and direct, with no complex metaphors or imagery. The language is used to describe the natural beauty of the island, its people, and its culture. The language is sensual and evocative, with words like "scented" and "warm" used to describe the island's atmosphere. The language is also descriptive, with words like "white" and "green" used to describe the colors of the island's flora.

Themes

The poem's main theme is the celebration of the natural beauty of Tahiti. The poem celebrates the island's flora, fauna, and people. The poem also celebrates the island's culture, with references to the "tattooed chiefs" and the "dancing girls." The poem is a tribute to the island's beauty, and it is clear that Brooke was deeply moved by his visit to the island.

Another theme of the poem is sensuality. The language of the poem is sensual and evocative, with words like "scented" and "warm" used to describe the island's atmosphere. The poem also references the "dancing girls," who are a symbol of sensuality and beauty. The poem celebrates the sensuality of the island, and it is clear that Brooke was deeply affected by the island's beauty and sensuality.

Analysis

The poem begins with a description of the island's flora, with the "tiare" flower being the focus of the stanza. The tiare flower is a symbol of the island's beauty, and Brooke uses the flower to set the tone for the rest of the poem. The language of the stanza is sensual and evocative, with words like "scented" and "warm" used to describe the flower's fragrance and the island's atmosphere.

The second stanza focuses on the island's fauna, with the "green lizards" being the focus of the stanza. The language of the stanza is descriptive, with words like "green" and "bright" used to describe the lizards. The stanza also references the "tattooed chiefs," who are a symbol of the island's culture and history.

The third stanza focuses on the island's people, with the "dancing girls" being the focus of the stanza. The language of the stanza is sensual and evocative, with words like "warm" and "white" used to describe the girls. The stanza also references the "tattooed chiefs," who are a symbol of the island's culture and history.

The final stanza is a tribute to the island's beauty and sensuality. The stanza references the "scented island" and the "warm sea." The stanza also references the "dancing girls," who are a symbol of the island's sensuality and beauty. The stanza ends with the line "And the sunlight clasps the earth, And the moonbeams kiss the sea," which is a beautiful and evocative image of the island's natural beauty.

Conclusion

In conclusion, Poetry Tiare Tahiti is a masterpiece of sensuality and beauty. The poem celebrates the natural beauty of Tahiti, its people, and its culture. The language of the poem is sensual and evocative, with words like "scented" and "warm" used to describe the island's atmosphere. The poem is a tribute to the island's beauty and sensuality, and it is clear that Brooke was deeply moved by his visit to the island. Poetry Tiare Tahiti is a beautiful and evocative poem that captures the essence of Tahiti in a way that is both captivating and mesmerizing.

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